A Woman Is No Man(7)

If happiness were measured in sound, Adam’s mother was the happiest person in the room. Fareeda was a large, broad woman, and Isra felt the dance floor shrink in her presence. She wore a red-and-black thobe, with oriental patterns embroidered on the sleeves, and a wide belt of gold coins around her thick waist. Black kohl was smeared around her small eyes. She sang along to every song in a confident voice, twirling a long white stick in the air. Every minute or so, she brought her hand to her mouth and let out a zughreta, a loud, piercing sound. Her only daughter, Sarah, who looked about eleven or so, threw rose petals at the stage. She was a younger, slimmer version of her mother: dark almond eyes, black curls flowing wildly, skin as golden as wheat. Isra could almost see a grown version of Sarah sitting as she sat now, her tiny frame buried beneath a white bridal dress. She winced at the thought.

She looked around for her mother. Mama sat in the corner of the wedding hall, fidgeting with her fingers. So far she had not left her seat throughout the entire wedding, and Isra wondered if she wanted to dance. Perhaps she was too sad to dance, Isra thought. Or perhaps she was afraid to send the wrong message. Growing up, Isra had often heard women criticize the mother of the bride for celebrating too boisterously at the wedding, too excited to be rid of her daughter. She wondered if Mama was secretly excited to be rid of her.

Adam pounded on a darbuka drum. Startled, Isra looked away from Mama. She could see Fareeda handing Adam the white stick and pulling him down to the dance floor. He danced with the stick in one hand and the darbuka in the other. The music was deafening. Women around them clapped, glancing at Isra enviously as if she had won something that was rightfully theirs. She could almost hear them thinking, How did a plain girl like her get so lucky? It should be my daughter going to America.

Then Adam and Isra were dancing together. She didn’t quite know what to do. Even though Mama had always nagged her about dancing at events, saying it was good for her image, that mothers would be more likely to notice her if she was onstage, Isra had never listened. It felt unnatural to dance so freely, to display herself so openly. But Adam seemed perfectly comfortable. He was jumping on one foot, one hand behind his back, the other waving the stick in the air. With the Palestinian flag wrapped around his neck and a red velvet tarboosh on his head, Isra thought he looked like a sultan.

“Use your hands,” he mouthed.

She lifted both arms above her waist, dangling her wrists. She could see Fareeda nodding in approval. A group of women encircled them, moving their hands to the rhythm of the darbuka. They wore patterned red thobes with gold coins attached at their hips. Some held up round, flaming candles. Others placed a lit candlestick over each finger, waving their shimmering hands in the air. One woman even wore a tiered crown made of candles, so that it looked as though her head were on fire. The dance floor glistened like a chandelier.

The music stopped. Adam grabbed Isra by the elbow and led her off the dance floor. Fareeda followed, carrying a white basket. Isra hoped she could return to her seat, but Adam stopped in the center of the stage. “Face the crowd,” he told her.

Fareeda opened the basket to display a wealth of gold jewelry within. There were oohs and aahs from the crowd. She handed Adam one piece of gold at a time, and he secured each item on Isra’s skin. Isra stared at his hands. His fingers were long and thick, and she tried to keep from flinching. Soon heavy necklaces hung from her neck, their thick coins cold against her skin. Bracelets laced her wrists like ropes, their ends shaped like snakes. Coin-shaped earrings pricked her ears; rings covered her fingers. After twenty-seven pieces of gold, Fareeda threw the empty basket in the air and let out another zughreta. The crowd cheered, and Isra stood before them, wrapped in gold, unable to move, a mannequin on display.

She had no idea what life had in store for her and could do nothing to alter this fact. She shivered in horror at the realization. But these feelings were only temporary, Isra reminded herself. Surely she would have more control over her life in the future. Soon she would be in America, the land of the free, where perhaps she could have the love she had always dreamed of, could lead a better life than her mother’s. Isra smiled at the possibility. Perhaps someday, if Allah were to ever grant her daughters, they would lead a better life than hers, too.





Part I





Deya


BROOKLYN

Winter 2008

Deya Ra’ad stood by her bedroom window and pressed her fingers against the glass. It was December, and a dust of snow covered the row of old brick houses and faded lawns, the bare plane trees lining the sidewalk, the cars parallel-parked down Seventy-Second Street. Inside her room, alongside the spines of her books, a crimson kaftan provided the only other color. Her grandmother, Fareeda, had sewn this dress, with heavy gold embroidery around the chest and sleeves, specifically for today’s occasion: there was a marriage suitor in the sala waiting to see Deya. He was the fourth man to propose to her this year. The first had barely spoken English. The second had been divorced. The third had needed a green card. Deya was eighteen, not yet finished with high school, but her grandparents said there was no point prolonging her duty: marriage, children, family.

She walked past the kaftan, slipping on a gray sweater and blue jeans instead. Her three younger sisters wished her luck, and she smiled reassuringly as she left the room and headed upstairs. The first time she’d been proposed to, Deya had begged to keep her sisters with her. “It’s not right for a man to see four sisters at once,” Fareeda had replied. “And it’s the eldest who must marry first.”