A Mother's Reckoning: Living in the Aftermath of Tragedy(4)



Immediately after the massacre, a carpenter from Chicago came to Littleton and erected fifteen crosses—one for each victim, including Dylan and Eric. Many people piled flowers at Eric’s and Dylan’s crosses just as they did at the others. Brian Rohrbough, father of one of the victims, removed Harris’s and Klebold’s markers. “You don’t cheapen what Christ did for us by honoring murderers with crosses,” he said. “There’s nowhere in the Bible that says to forgive an unrepentant murderer. You don’t repent, you don’t forgive them—that’s what the Bible says.” There is obviously scope for revising this interpretation of Christian doctrine, but Rohrbough’s assertion hinges on the mistaken notion that mourning the deaths of the killers is tantamount to forgiveness, and that forgiveness conceals the horror of what was done. Sue Klebold does not seek or even imagine forgiveness for her son. She explains that she didn’t know what was happening, but she doesn’t exonerate herself; she presents her not knowing as a betrayal of her son and the world. The death of someone who has committed a great crime may be for the best, but any dead child is some parent’s vanquished hope. This mournful book is Sue’s act of vicarious repentance. Hatred does not obliterate love. Indeed, the two are in constant fellowship.

Sue told me at our first meeting about the moment on April 20, 1999, when she learned what was happening at Columbine High School. “While every other mother in Littleton was praying that her child was safe, I had to pray that mine would die before he hurt anyone else,” she said. “I thought if this was really happening and he survived, he would go into the criminal justice system and be executed, and I couldn’t bear to lose him twice. I gave the hardest prayer I ever made, that he would kill himself, because then at least I would know that he wanted to die, and I wouldn’t be left with all the questions I’d have if he got caught by a police bullet. Maybe I was right, but I’ve spent so many hours regretting that prayer: I wished for my son to kill himself, and he did.”

At the end of that weekend, I asked Tom and Sue what they would want to ask Dylan if he were in the room with us, Tom said, “I’d ask him what the hell he was thinking and what the hell he thought he was doing!” Sue looked down at the floor for a minute before saying quietly, “I would ask him to forgive me, for being his mother and never knowing what was going on inside his head, for not being able to help him, for not being the person that he could confide in.” When I reminded her of this conversation five years later, she said, “When it first happened, I used to wish that I had never had children, that I had never married. If Tom and I hadn’t crossed paths at Ohio State, Dylan wouldn’t have existed and this terrible thing wouldn’t have happened. But over time, I’ve come to feel that, for myself, I am glad I had kids and glad I had the kids I did, because the love for them—even at the price of this pain—has been the single greatest joy of my life. When I say that, I am speaking of my own pain, and not of the pain of other people. But I accept my own pain; life is full of suffering, and this is mine. I know it would have been better for the world if Dylan had never been born. But I believe it would not have been better for me.”

We tend to lose someone all at once, but Sue’s loss came in repeated waves: the loss of the boy himself; the loss of her image of him; the loss of her defenses against recognizing his darkest self; the loss of her identity as something other than the mother of a killer; and the loss of the fundamental belief that life is subject to logic, that if you do things right you can forestall certain grim outcomes. Comparative grief is not a fruitful measurement, and it would be wrong to say that Sue Klebold’s was the most shattering of all the losses in Littleton. But she is stuck with the impossibility of disentangling the pain of finding she had never known her son from the pain of knowing what devastation he caused others. She fights the sadness of a dead child, the sadness of the other dead children, and the sadness of having failed to bring up a happy child who makes the world better.

It’s a heady experience to have young children and be able to fix the little problems they bring to you; it’s a terrible loss when they start to have problems beyond your ability to resolve. That universal disappointment is presented here on a vastly inflated scale. Sue Klebold describes her natural impulse to please people, and makes it clear that writing has required a disavowal of that predilection. Her book is a tribute to Dylan without being an excuse, and a moving call to action for mental health advocacy and research. Moral, determined, and dignified, Sue Klebold has arrived at an impenetrable aloneness. No one else has had this experience. To some degree, it has made Sue unknowable, just as Dylan was. In writing of her experience, she has chosen a kind of public unknowability.

Ovid delivered a famous injunction to “welcome this pain, for you will learn from it.” But there is little choice about such pain; you do not have the option of not welcoming it. You can express displeasure at its arrival, but you cannot ask it to leave the house. Sue Klebold has never complained of being a victim, but her narrative echoes that of Job, who says, “Shall we receive good from God and shall we not receive evil?” And then, “For the thing which I greatly feared is come upon me, and that which I was afraid of is come unto me. / I was not in safety, neither had I rest, neither was I quiet; yet trouble came.” And finally, “Though I speak, my grief is not assuaged.” Sue Klebold’s book narrates her Job-like descent into an incomprehensible hell, her divorce from safety. Perhaps most impressively, her book acknowledges that speech cannot assuage such grief. She doesn’t even try. This book is not a cathartic document intended to make her feel better. It is only a narrative of acceptance and of fight, of harnessing her torment in hopes of sparing others pain like hers, like her son’s, and like his victims’.

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