A Discovery of Witches(33)

My jaw dropped.

“Sorry,” Clairmont said. “I was afraid you wouldn’t come if I told you—and it really is the best class in Oxford.”

A tall witch who had short, jet-black hair and skin the color of coffee with cream walked toward us, and the rest of the room turned away, resuming their silent meditations. Clairmont, who’d tensed slightly when we entered, visibly relaxed as the witch approached us.

“Matthew.” Her husky voice was brushed with an Indian accent. “Welcome.”

“Amira.” He nodded in greeting. “This is the woman I told you about, Diana Bishop.”

The witch looked at me closely, her eyes taking in every detail of my face. She smiled. “Diana. Nice to meet you. Are you new to yoga?”

“No.” My heart pounded with a fresh wave of anxiety. “But this is my first time here.”

Her smile widened. “Welcome to the Old Lodge.”

I wondered if anyone here knew about Ashmole 782, but there wasn’t a single familiar face and the atmosphere in the room was open and easy, with none of the usual tension between creatures.

A warm, firm hand closed around my wrist, and my heart slowed immediately. I looked at Amira in astonishment. How had she done that?

She let loose my wrist, and my pulse remained steady. “I think that you and Diana will be most comfortable here,” she told Clairmont. “Get settled and we’ll begin.”

We unrolled our mats in the back of the room, close to the door. There was no one to my immediate right, but across a small expanse of open floor two daemons sat in lotus position with their eyes closed. My shoulder tingled. I started, wondering who was looking at me. The feeling quickly disappeared.

Sorry, a guilty voice said quite distinctly within my skull.

The voice came from the front of the room, from the same direction as the tingle. Amira frowned slightly at someone in the first row before bringing the class to attention.

Out of sheer habit, my body folded obediently into a cross-legged position when she began to speak, and after a few seconds Clairmont followed suit.

“It’s time to close your eyes.” Amira picked up a tiny remote control, and the soft strains of a meditative chant came out of the walls and ceiling. It sounded medieval, and one of the vampires sighed happily.

My eyes wandered, distracted by the ornate plasterwork of what must once have been the house’s great hall.

“Close your eyes,” Amira suggested again gently. “It can be hard to let go of our worries, our preoccupations, our egos. That’s why we’re here tonight.”

The words were familiar—I’d heard variations on this theme before, in other yoga classes—but they took on new meaning in this room.

“We’re here tonight to learn to manage our energy. We spend our time striving and straining to be something that we’re not. Let those desires go. Honor who you are.”

Amira took us through some gentle stretches and got us onto our knees to warm up our spines before we pushed back into downward dog. We held the posture for a few breaths before walking our hands to our feet and standing up.

“Root your feet into the earth,” she instructed, “and take mountain pose.”

I concentrated on my feet and felt an unexpected jolt from the floor. My eyes widened.

We followed Amira as she began her vinyasas. We swung our arms up toward the ceiling before diving down to place our hands next to our feet. We rose halfway, spines parallel to the floor, before folding over and shooting our legs back into a pushup position. Dozens of daemons, vampires, and witches dipped and swooped their bodies into graceful, upward curves. We continued to fold and lift, sweeping our arms overhead once more before touching palms lightly together. Then Amira freed us to move at our own pace. She pushed a button on the stereo’s remote, and a slow, melodic cover of Elton John’s “Rocket Man” filled the room.

The music was oddly appropriate, and I repeated the familiar movements in time to it, breathing into my tight muscles and letting the flow of the class push all thoughts from my head. After we’d started the series of poses for a third time, the energy in the room shifted.

Three witches were floating about a foot off the wooden floorboards.

“Stay grounded,” Amira said in a neutral voice.

Two quietly returned to the floor. The third had to swan-dive to get back down, and even then his hands reached the floor before his feet.

Both the daemons and the vampires were having trouble with the pacing. Some of the daemons were moving so slowly that I wondered if they were stuck. The vampires were having the opposite problem, their powerful muscles coiling and then springing with sudden intensity.

“Gently,” Amira murmured. “There’s no need to push, no need to strain.”

Gradually the room’s energy settled again. Amira moved us through a series of standing poses. Here the vampires were clearly at their best, able to sustain them for minutes without effort. Soon I was no longer concerned with who was in the room with me or whether I could keep up with the class. There was only the moment and the movement.

By the time we took to the floor for back bends and inversions, everyone in the room was dripping wet—except for the vampires, who didn’t even look dewy. Some performed death-defying arm balances and handstands, but I wasn’t among them. Clairmont was, however. At one point he looked to be attached to the ground by nothing more than his ear, his entire body in perfect alignment above him.