21 Lessons for the 21st Century(96)



In practical terms, those who believe in the liberal story live by the light of two commandments: create, and fight for liberty. Creativity can manifest itself in writing a poem, exploring your sexuality, inventing a new app, or discovering an unknown chemical. Fighting for liberty includes anything that frees people from social, biological and physical constraints, be it demonstrating against brutal dictators, teaching girls to read, finding a cure for cancer, or building a spaceship. The liberal pantheon of heroes houses Rosa Parks and Pablo Picasso alongside Louis Pasteur and the Wright brothers.

This sounds extremely exciting and profound in theory. Unfortunately, human freedom and human creativity are not what the liberal story imagines them to be. To the best of our scientific understanding, there is no magic behind our choices and creations. They are the product of billions of neurons exchanging biochemical signals, and even if you liberate humans from the yoke of the Catholic Church and the Soviet Union, their choices will still be dictated by biochemical algorithms as ruthless as the Inquisition and the KGB.

The liberal story instructs me to seek freedom to express and realise myself. But both the ‘self’ and freedom are mythological chimeras borrowed from the fairy tales of ancient times. Liberalism has a particularly confused notion of ‘free will’. Humans obviously have a will, they have desires, and they are sometimes free to fulfil their desires. If by ‘free will’ you mean the freedom to do what you desire – then yes, humans have free will. But if by ‘free will’ you mean the freedom to choose what to desire – then no, humans have no free will.

If I am sexually attracted to men, I may be free to realise my fantasies, but I am not free to feel an attraction to women instead. In some cases I might decide to restrain my sexual urges or even try a ‘sexual conversion’ therapy, but the very desire to change my sexual orientation is something forced upon me by my neurons, egged on perhaps by cultural and religious biases. Why does one person feel ashamed of his sexuality and strives to alter it, while another person celebrates the same sexual desires without a trace of guilt? You can say that the former might have stronger religious feelings than the latter. But do people freely choose whether to have strong or weak religious feelings? Again, a person may decide to go to church every Sunday in a conscious effort to strengthen his weak religious feelings – but why does one person aspire to be more religious, while another is perfectly happy to remain an atheist? This may result from any number of cultural and genetic dispositions, but it is never the result of ‘free will’.

What’s true of sexual desire is true of all desire, and indeed of all feelings and thoughts. Just consider the next thought that pops up in your mind. Where did it come from? Did you freely choose to think it, and only then did you think it? Certainly not. The process of self-exploration begins with simple things, and becomes progressively harder. At first, we realise that we do not control the world outside us. I don’t decide when it rains. Then we realise that we do not control what’s happening inside our own body. I don’t control my blood pressure. Next, we understand that we don’t even govern our brain. I don’t tell the neurons when to fire. Ultimately we should realise that we do not control our desires, or even our reactions to these desires.

Realising this can help us become less obsessive about our opinions, about our feelings, and about our desires. We don’t have free will, but we can be a bit more free from the tyranny of our will. Humans usually give so much importance to their desires that they try to control and shape the entire world according to these desires. In pursuit of their cravings, humans fly to the moon, wage world wars, and destabilise the entire ecosystem. If we understand that our desires are not the magical manifestations of free choice, but rather are the product of biochemical processes (influenced by cultural factors that are also beyond our control), we might be less preoccupied with them. It is better to understand ourselves, our minds and our desires rather than try to realise whatever fantasy pops up in our heads.

And in order to understand ourselves, a crucial step is to acknowledge that the ‘self’ is a fictional story that the intricate mechanisms of our mind constantly manufacture, update and rewrite. There is a storyteller in my mind that explains who I am, where I am coming from, where I am heading to, and what is happening right now. Like the government spin doctors who explain the latest political upheavals, the inner narrator repeatedly gets things wrong but rarely, if ever, admits it. And just as the government builds up a national myth with flags, icons and parades, so my inner propaganda machine builds up a personal myth with prized memories and cherished traumas that often bear little resemblance to the truth.

In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self.

It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them!

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