21 Lessons for the 21st Century(86)
The 1994 Disney epic The Lion King repackaged this ancient story for modern audiences, with the young lion Simba standing in for Arjuna. When Simba wants to know the meaning of existence, his father – the lion king Mufasa – tells him about the great Circle of Life. Mufasa explains that the antelopes eat the grass, the lions eat the antelopes, and when the lions die their body decomposes and feeds the grass. This is how life continues from generation to generation, provided each animal plays its part in the drama. Everything is connected, and everyone depends on everyone else, so if even a blade of grass fails to fulfil its vocation, the entire Circle of Life might unravel. Simba’s vocation, says Mufasa, is to rule the lion kingdom after Mufasa’s death, and keep the other animals in order.
However, when Mufasa is prematurely murdered by his evil brother Scar, young Simba blames himself for the catastrophe, and racked with guilt he leaves the lion kingdom, shuns his royal destiny, and wanders off into the wilderness. There he meets two other outcasts, a meerkat and a warthog, and together they spend a few carefree years off the beaten path. Their antisocial philosophy means that they answer every problem by chanting Hakuna matata – no worries.
But Simba cannot escape his dharma. As he matures, he becomes increasingly troubled, not knowing who he is and what he should do in life. At the climactic moment of the movie, the spirit of Mufasa reveals himself to Simba in a vision, and reminds Simba of the Circle of Life and of his royal identity. Simba also learns that in his absence, the evil Scar has assumed the throne and mismanaged the kingdom, which now suffers greatly from disharmony and famine. Simba finally understands who he is and what he should do. He returns to the lion kingdom, kills his uncle, becomes king, and re-establishes harmony and prosperity. The movie ends with a proud Simba presenting his newly born heir to the assembled animals, ensuring the continuation of the great Circle of Life.
The Circle of Life presents the cosmic drama as a circular story. For all Simba and Arjuna know, lions ate antelopes and warriors fought battles for countless aeons and will continue to do so for ever and ever. The eternal repetition gives power to the story, implying that this is the natural course of things, and that if Arjuna shuns combat or if Simba refuses to become king, they will be rebelling against the very laws of nature.
If I believe in some version of the Circle of Life story, it means that I have a fixed and true identity that determines my duties in life. For many years I may be doubtful or ignorant of this identity, but one day, in some great climactic moment, it will be revealed, and I will understand my role in the cosmic drama, and though I may subsequently encounter many trials and tribulations, I will be free of doubts and despair.
Other religions and ideologies believe in a linear cosmic drama, which has a definitive beginning, a not-too-long middle, and a once-and-for-all ending. For example, the Muslim story says that in the beginning Allah created the entire universe and laid down its laws. He then revealed these laws to humans in the Quran. Unfortunately, ignorant and wicked people rebelled against Allah and tried to break or hide these laws, and it is up to virtuous and loyal Muslims to uphold these laws and spread knowledge of them. Eventually, on Judgement Day, Allah will pass judgement on the conduct of each and every individual. He will reward the righteous with everlasting bliss in paradise, and toss the wicked into the burning pits of hell.
This grand narrative implies that my small but important role in life is to follow Allah’s commands, spread knowledge of His laws, and ensure obedience to His wishes. If I believe the Muslim story, I find meaning in praying five times a day, donating money to build a new mosque, and struggling against apostates and infidels. Even the most mundane activities – washing hands, drinking wine, having sex – are imbued with cosmic meaning.
Nationalism too upholds a linear story. Thus the Zionist story begins with the biblical adventures and achievements of the Jewish people, recounts 2,000 years of exile and persecution, reaches a climax with the Holocaust and the establishment of the state of Israel, and looks forward to the day when Israel will enjoy peace and prosperity and become a moral and spiritual beacon to the entire world. If I believe in the Zionist story, I conclude that my life’s mission is to advance the interests of the Jewish nation by protecting the purity of the Hebrew language, by fighting to regain lost Jewish territory, or perhaps by having and raising a new generation of loyal Israeli children.
In this case too, even humdrum undertakings are infused with meaning. On Independence Day, Israeli schoolchildren often sing together a popular Hebrew song praising any action done for the sake of the motherland. One kid sings ‘I’ve built a house in the land of Israel’, another kid chants ‘I’ve planted a tree in the land of Israel’, a third chimes in with ‘I’ve written a poem in the land of Israel’, and so it goes on and on, until finally they all join together in a chorus singing ‘So we have a house, and a tree, and a poem [and whatever else you would like to add] in the land of Israel.’
Communism tells an analogous story, but focuses on class rather than ethnicity. The Communist Manifesto opens by proclaiming that:
The history of all hitherto existing society is the history of class struggles. Freeman and slave, patrician and plebeian, lord and serf, guild-master and journeyman, in a word, oppressor and oppressed, stood in constant opposition to one another, carried on an uninterrupted, now hidden, now open fight, a fight that each time ended, either in a revolutionary reconstitution of society at large, or in the common ruin of the contending classes.1