You (You #1)(78)

She is fading and Elton is louder than the waves and I don’t hear you anymore, we’ve all gone crazy lately, my friends out there rolling ’round the basement floor and I owe her a little help. I hit her head with the rock and she is quiet, at last. I flip her over and I’m shaking. She is gone, at peace, but what about me? Elton sings you almost had your hooks in me, didn’t you dear, you nearly had me roped and tied and I feel roped and tied out here, alone with dead, heavy Peach. Elton seems louder or is that just because Peach is quieter? I try to focus on moving her but then I hear a slip noose in my darkest dreams and I pause. I panic. What if you decide to go for a run? What if Officer Nico runs on this beach? I have to move fast. I load her pockets with rocks just in case she doesn’t disappear. I have to collect more rocks because this jacket has a lot of pockets and Elton would have walked head on into the deep end of the river.

I need to calm down. I close my eyes and see Candace’s open eyes in the mucky dreck of Brighton Beach and I open my eyes and I take Peach’s phone out of the contraption band on her arm. It’s my phone now and I cut off Elton as he swears they’re coming in the morning with a truck to take me home. No they’re not and I lift her body. Peach is so clothed and Candace was nearly naked, only wearing a little black dress over a bikini. It was summer, drunk girls drown, it happens, her family accepts that she is never coming home—and I walk toward the water. It is winter. Sad girls walk into the water to die. It happens.

I do not keep off rocks anymore and I carry Peach Salinger onto the jetty. The rocks are smooth and dry and I am steady. Peach is heavy because of the rocks in her pockets, because of the weight of her misery. I count to three and then I drop her into the ocean. The waves welcome her the way the water at Brighton Beach embraced Candace. I start an e-mail from Peach to you. It’s so easy to know what to say:

Beck, I need to go away. Lately, when I run, it’s like Virginia Woolf is running with me. She said, “I thought how unpleasant it is to be locked out; and I thought how it is worse, perhaps, to be locked in.” She was right. It’s worse to be locked in waiting for someone who isn’t coming. Much worse.

Enjoy the cottage. I love you, Beckalicious.

Bye,

Peach Is

My body is slick with sweat and my muscles ache from the exertion and I crack a smile because I understand what Peach was talking about earlier. I’d love to peel off my clothes right now. They do itch.

I check on you once before leaving. It’s less than an hour since I sent you the e-mail from Peach and you appear to be handling it all with aplomb. You’re blasting your Bowie and trying on Peach’s clothes in the great room while you dance and call Lynn and Chana and your mother and pig out. You are happy, Beck. You tell Lynn what you told your mother and what you told Chana: “This isn’t my fault. Peach ran away every other month in college. Hell, who wouldn’t with that kind of money? Also, I think it’s for the best. She seemed almost happy that Benji was dead. And yes, I know how sick that sounds.”

“Forget Benji,” Lynn says. “It’s sad, but being dead doesn’t make him into a good guy. Have you talked to Joe?” Go Lynn!

“No,” you say. “But I want to.”

That is all I need. I leave.

I walk up the deserted street into town. Nico’s guys at the body shop are super friendly. There’s not a lot going on (no shit) and they love the summa weathah sahprize so my brown beast is already good to go. The repairs cost four hundred bucks, and I’m glad I came prepared. New England is not a lucky place for me, Beck, so I took an advance on my salary before I headed out. The roads are clear and Peach’s phone has a lot of good music. Maybe my luck in New England is changing.

I’M almost home when I remember the mug of my DNA in the cottage. I hit the brakes, hard. But I don’t have to worry. People with second homes get off on giving out keys to maids, carpenters, and interior designers. I’m not gonna worry about a mug of dried-up piss, not after all the good I just did.

Besides, this is about you, and your Twitter confirms that you’re already on the way back to Bank Street. I know it will take time for you to open slowly petal by petal, as spring opens. But you will open. Peach can’t drag you down anymore. You’re free. She was never going to loosen her grip on you and you’re gonna be a whole new person without that pressure. She can rest now. You can relax. And when that first whiff of spring hits the air you will pass a bookstore or a horse-drawn carriage and find yourself blushing, ripe with want. And you’ll reach out to me, Joe.





34


MY phone is not broken. I have called it from the shop several times a day for the past few days. You’re not off the grid. You are here in New York, living, writing, and tweeting:

Is there anything more romantic than new snow at night? #stillness #love

There is no logical or technological or romantic reason for the fact that you have not called me or e-mailed me since returning from LC. It’s been twenty-three minutes and thirteen days since Peach left the picture. The wound on my face is stubborn but there is progress and I’m less of a monster every day. And that’s just another reminder that precious time is passing. I can’t figure you out, Beck. You’re not e-mailing with any new guys and you’re not e-mailing your friends about anything romantic but you’re writing about guys. The last story you wrote was about a girl (you, duh, they’re always you) who goes to the doctor and learns that she has a penis stuck inside of her. She calls every guy she’s ever been with to see if he’s still got his penis. The list of dudes is gross long (an exaggeration, it has to be) and they all still have dicks. Finally, she admits there’s one dude she didn’t call because he’s married with children. She doesn’t want to give him his dick; she wants him to leave his wife and come and get it. As Blythe said in her e-mail critique, “There’s no real ending, no climax, no point. I’m not presuming that this is based on something real in your life, but if so, maybe think of putting this story in a drawer and revisiting it once you’ve got some distance from your emotions.”