Warcross (Warcross #1)(24)
I look at her. This one is a weirder request than the first two—but I decide to nod anyway. “No family questions. Got it.”
The elevator doors open for us. The lady waves me inside, then folds her arms in front of her as we start to head up. I look out at the expanse of the studio, my eyes lingering on the giant team banners as we rise past them. This building is a beautiful work of architecture. Dad would have been impressed.
We keep going until we reach the top floor. A few employees pass us by, each of them sporting Warcross T-shirts and jeans. The sight is reassuring. One of the employees glances my way with a hint of recognition in his eyes. He looks like he wants to stop me, then reddens and decides against it. I realize that everyone working here must have been watching the opening ceremony—and seen me glitch into the game. As I’m thinking this, I catch sight of a few other employees down in the lobby below, their necks craned curiously up in our direction.
She guides us down an open hallway until we reach a smaller lobby, where another set of sliding glass doors stands. The glass is completely clear, so that I can see part of a room beyond it, along with large paintings of Warcross worlds on the walls and a long meeting table. My legs start to feel numb, and fear shoots up my spine. Now that I’m moments away from my meeting, I’m suddenly gripped with the feeling that maybe I don’t want to be here after all.
“Wait one moment, please,” the lady says as we reach the doors. She presses a finger gently against a pad on the wall, then walks inside as they slide open. From where I am, I see her bow low and ask something in Japanese. All I can understand are Tanaka-sama and Chen-san.
A quiet voice answers her from somewhere on the far side of the room.
The lady returns and opens the sliding door. “Come in.” She nods at me as I pass. “Have a good meeting.” Then she’s gone, heading back down the hall from where we came.
I find myself standing in the middle of a room with a stunning view of Tokyo. At one end of the room, several people lounge in chairs around a meeting table—two women, one dressed in a blouse and skirt, another in a Warcross tee, blazer, and jeans. A young, golden-haired man sits between them, making gestures in the air with his hands. I recognize him as Kenn, who had spoken to me on the private jet. The women argue back, scrutinizing something about one of the worlds for the Warcross championships.
My eyes wander from them to the last person in the room.
He’s sitting on a sleek gray couch right next to the meeting table, his elbows perched on his knees. The other three people are unconsciously turned in his direction, clearly waiting for him to give the final say. He’s dressed in a perfectly tailored white collar shirt rolled up to his elbows and with two of the top buttons casually undone, a pair of lean, dark trousers, and deep scarlet oxford shoes. The only game-related item he’s wearing is a pair of simple, silver cuff links glinting in the sunlight, both cut in the shape of the Warcross logo. His eyes are very dark and framed by long lashes. His hair is thick and midnight black, except for a curious, thin silver streak on one side.
Hideo Tanaka, in the flesh.
After years of admiring him from afar, I’m not sure what I expected. It somehow startles me to see him without a monitor or a magazine cover obstructing the view, like he’s in focus for the first time.
He looks up at me.
“Miss Chen,” he says, pushing himself off the couch in one graceful move. Then he approaches me, bows his head once, and stretches out a hand. He’s tall, his gestures easy and effortless, his expression serious. The only imperfection on him is his knuckles—they’re bruised, newly scarred, and surprising on his otherwise elegant hands, as if he had been in a fight. I catch myself gaping curiously and manage to stop just in time to extend my hand, too. My movements feel like those of a lumbering ox. Even though my clothes aren’t that different from everyone else’s, I feel dirty and underdressed compared to his flawless style.
“Hi, Mr. Tanaka,” I reply, unsure of what else to say.
“Hideo, please.” There’s that smooth, subtle British accent of his. He encloses his hand around mine and shakes it once, then looks at the others. “Our lead producer for the championships, Miss Leanna Samuels.” He lets go of me to hold his hand out toward the woman in the blouse and skirt.
She gives me a smile and adjusts her glasses. “Pleased to meet you, Miss Chen.”
Hideo nods at the woman in the tee and blazer. “My second-in-command, Miss Mari Nakamura, our chief operating officer.”
Now I recognize her—I’ve seen her give plenty of Warcross-related announcements. She gives me a little bow of her head. “Nice to meet you, Miss Chen,” she says with a grin. I return the bow as well as I can.
“And you’ve already been introduced to our creative director,” Hideo finishes, tilting his head in Kenn’s direction. “One of my former Oxford schoolmates.”
“Not in person.” Kenn hops out of his chair and is in front of me in a couple of strides. He shakes my hand vigorously. Unlike Hideo’s, his expression is warm enough to heat a room in winter. “Welcome to Tokyo. You’ve made quite an impression on us.” He glances once at Hideo, and his grin tilts higher. “It’s not every day that he flies someone halfway across the world for an interview.”
Hideo raises an eyebrow at his friend. “I flew you halfway across the world to join the company.”