The Underground Railroad(66)
One of his apprentices shook a jug of vinegar and pepper. He motioned to a little girl at the edge of the fire and guided her hands to mop the insides of the hog with the mixture. The drippings popped on the coals in the trenches. White plumes of smoke sent the crowd back and the girl squealed. It would be a fine meal.
—
CORA and Molly had an appointment at home. It was a short walk. Like most of the farm’s work buildings, the older log cabins bunched on the eastern edge, put up in a hurry before they knew how big the community would become. Folks came from all over, plantations that had favored this or that arrangement of quarters, so the cabins came in various shapes. The newer ones—the latest additions the men put up now that the corn was picked—followed an identical style, with more spacious rooms, and were distributed on the property with more care.
Since Harriet had married and moved out, Cora, Molly, and Sybil were the only inhabitants of their cabin, sleeping in the two rooms off the main living area. In general, three families lived in each house. Newcomers and visitors shared Cora’s room from time to time, but for the most part the other two beds were empty.
Her own room. Another unlikely gift from the Valentine farm after all her prisons.
Sybil and her daughter were proud of their house. They’d whitewashed the exterior with quicklime, tinted it pink. Yellow paint with white trim made the front room hum in the sunlight. Decorated with wildflowers in the warm season, the room remained pleasant in the autumn with wreaths of red and gold leaves. Purple curtains bunched in the windows. Two carpenters who lived on the farm lugged in furniture now and again—they were sweet on Sybil and kept their hands busy to distract from her indifference. Sybil had dyed some burlap sacks to make a carpet, which Cora laid on when she got one of her headaches. The front room had a nice breeze that took the bite out of the attacks.
Molly called after her mother when they reached the porch. Sarsaparilla boiled for one of Sybil’s tonics, overpowering the aroma of the roasting meat. Cora headed straight to the rocking chair, which she’d claimed as hers on her first day. Molly and Sybil didn’t mind. It creaked extravagantly, the handiwork of Sybil’s less talented suitor. Sybil was of the mind that he’d made it loud on purpose, to remind her of his devotion.
Sybil emerged from the back, wringing her hands on her apron. “Jimmy working hard out there,” she said, shaking her head in hunger.
“I can’t wait,” Molly said. The girl opened the pine chest by the hearth and removed their quilting. She was steadfast on finishing her latest project by supper.
They got to it. Cora hadn’t picked up a needle apart from simple mending since Mabel left. Some of the Hob women tried to teach her to no avail. As she did in the classroom, Cora kept looking over at her companions for guidance. She cut out a bird, a cardinal; it came out looking like something dogs had fought over. Sybil and Molly encouraged her—they had badgered her into their pastime—but the quilt was botched. Fleas had found the batting, she insisted. The seams puckered, her corners unjoined. The quilt betrayed a crookedness in her thinking: run it up a pole as the flag of her wild country. She wanted to set it aside but Sybil forbid her. “You start something else when this one finished,” Sybil said. “But this ain’t finished yet.”
Cora needed no advice on the virtues of perseverance. But she picked up the creature in her lap and picked at where she’d left off.
Sybil was twelve years her senior. Her dresses made her look slightly built, but Cora knew that it was merely her time away from the plantation working on the woman in the best way: Her new life required a different sort of strength. She was meticulous in her posture, a walking spear, in the manner of those who’d been made to bend and will bend no more. Her master had been a terror, Sybil told Cora, a tobacco man who competed with the neighboring planters every year over the biggest crop. His poor showing stirred him to malice. “He work us hard,” she’d say, her thoughts lighting out to old miseries. Molly would come over from wherever she was and sit on her lap, nuzzling.
The three of them worked wordlessly for a while. A cheer went up over by the barbecue pit, as it did each time they turned the hogs. Cora was too distracted to reverse her mistakes in the quilt. The silent theater of Sybil and Molly’s love moved her always. The way the child asked for assistance without speaking and the mother pointed, nodded, and pantomimed her child out of a fix. Cora wasn’t accustomed to a quiet cabin—on Randall there was always a shriek or cry or sigh to break a moment—and certainly not accustomed to this type of maternal performance.
Sybil had absconded with Molly when her daughter was only two, toting her child all the way. Rumors from the big house held that their master meant to dispose of some property to cover debts from the disappointing crop. Sybil faced a public sale. She left that night—the full moon gave its blessing and guidance through the forest. “Molly didn’t make no sound,” Sybil said. “She knew what we were up to.” Three miles over the Pennsylvania border they risked a visit to the cottage of a colored farmer. The man fed them, whittled toys for the little girl, and, through a line of intermediaries, contacted the railroad. After a spell in Worcester working for a milliner, Sybil and Molly made their way to Indiana. Word had spread of the farm.
So many fugitives had passed through Valentine—there was no telling who might have spent time there. Did Sybil happen to make the acquaintance of a woman from Georgia? Cora asked her one evening. Cora had been with them for a few weeks. Slept the night through once or twice, put back some of the weight she’d lost in the attic. The dry flies cut out their noise, leaving an opening in the night for a question. A woman from Georgia, maybe went by the name of Mabel, maybe not?