The Stone Sky (The Broken Earth #3)(116)
Runny-sack: A small, easily portable cache of supplies most people keep in their homes in case of shakes or other emergencies.
Safe: A beverage traditionally served at negotiations, first encounters between potentially hostile parties, and other formal meetings. It contains a plant milk that reacts to the presence of all foreign substances.
Sanze: Originally a nation (unit of a deprecated political system, Before Imperial) in the Equatorials; origin of the Sanzed race. At the close of the Madness Season (7 Imperial), the nation of Sanze was abolished and replaced with the Sanzed Equatorial Affiliation, consisting of six predominantly Sanzed comms under the rule of Emperor Verishe Leadership Yumenes. The Affiliation expanded rapidly in the aftermath of the Season, eventually encompassing all regions of the Stillness by 800 Imperial. Around the time of the Season of Teeth, the Affiliation came to be known colloquially as the Old Sanze Empire, or simply Old Sanze. As of the Shilteen Accords of 1850 Imperial, the Affiliation officially ceased to exist, as local control (under the advisement of the Yumenescene Leadership) was deemed more efficient in the event of a Season. In practice, most comms still follow Imperial systems of governance, finance, education, and more, and most regional governors still pay taxes in tribute to Yumenes.
Sanzed: A member of the Sanzed race. Per Yumenescene Breedership standards, Sanzeds are ideally bronze-skinned and ashblow-haired, with mesomorphic or endomorphic builds and an adult height of minimum six feet.
Sanze-mat: The language spoken by the Sanze race, and the official language of the Old Sanze Empire, now the lingua franca of most of the Stillness.
Seasonal Law: Martial law, which may be declared by any comm head, quartent governor, regional governor, or recognized member of the Yumenescene Leadership. During Seasonal Law, quartent and regional governance are suspended and comms operate as sovereign sociopolitical units, though local cooperation with other comms is strongly encouraged per Imperial policy.
Seventh University: A famous college for the study of geomestry and stonelore, currently Imperially funded and located in the Equatorial city of Dibars. Prior versions of the University have been privately or collectively maintained; notably, the Third University at Am-Elat (approximately 3000 Before Imperial) was recognized at the time as a sovereign nation. Smaller regional or quartent colleges pay tribute to the University and receive expertise and resources in exchange.
Sesuna: Awareness of the movements of the earth. The sensory organs that perform this function are the sessapinae, located in the brain stem. Verb form: to sess.
Shake: A seismic movement of the earth.
Shatterland: Ground that has been disturbed by severe and/or very recent seismic activity.
Stillheads: A derogatory term used by orogenes for people lacking orogeny, usually shortened to “stills.”
Stone Eaters: A rarely seen sentient humanoid species whose flesh, hair, etc., resembles stone. Little is known about them.
Strongback: One of the seven common use-castes. Strongbacks are individuals selected for their physical prowess, responsible for heavy labor and security in the event of a Season.
Use Name: The second name borne by most citizens, indicating the use-caste to which that person belongs. There are twenty recognized use-castes, although only seven in common use throughout the current and former Old Sanze Empire. A person inherits the use name of their same-sex parent, on the theory that useful traits are more readily passed this way.
Acknowledgments
Whew. That took a bit, didn’t it?
The Stone Sky marks more than just the end of another trilogy, for me. For a variety of reasons, the period in which I wrote this book has turned out to be a time of tremendous change in my life. Among other things, I quit my day job and became a full-time writer in July of 2016. Now, I liked my day job, where I got to help people make healthy decisions – or at least survive long enough to do so – at one of the most crucial transition points of adult life. I do still help people, I think, as a writer, or at least that’s the impression I get from those of you who’ve sent letters or online messages telling me how much my writing has touched you. But in my day job, the work was more direct, as were its agonies and rewards. I miss it a lot.
Oh, don’t get me wrong; this was a good and necessary life transition to make. My writing career has exploded in all the best ways, and after all, I love being a writer, too. But it’s my nature to reflect in times of change, and to acknowledge both what was lost as well as what was gained.
This change was facilitated by a Patreon (artist crowdfunding) campaign that I began in May of 2016. And on a more somber note… this Patreon funding is also what allowed me to focus wholly on my mother during the final days of her life, in late 2016 and early 2017. I don’t often talk about personal things in public, but you can perhaps see how the Broken Earth trilogy is my attempt to wrestle with motherhood, among other things. Mom had a difficult last few years. I think (so many of my novels’ underpinnings become clear in retrospect) that on some level I suspected her death was coming; maybe I was trying to prepare myself. Still wasn’t ready when it happened… but then, no one ever is.
So I’m grateful to everyone – my family, my friends, my agent, my Patrons, the folks at Orbit, including my new editor, my former coworkers, the staff of the hospice, everyone – who helped me through this.
And this is why I’ve worked so hard to get The Stone Sky out on time, despite travel and hospitalizations and stress and all the thousand bureaucratic indignities of life after a parent’s death. I definitely haven’t been in the best place while working on this book, but I can say this much: Where there is pain in this book, it is real pain; where there is anger, it is real anger; where there is love, it is real love. You’ve been taking this journey with me, and you’re always going to get the best of what I’ve got. That’s what my mother would want.