The Song of Achilles(81)

He talks first of things, casual words that he drops into our laps, one at a time. A list really. Twelve swift horses, and seven bronze tripods, and seven pretty girls, ten bars of gold, twenty cauldrons, and more—bowls, and goblets, and armor, and at last, the final gem held before us: Briseis’ return. He smiles and spreads his hands with a guileless shrug I recognize from Scyros, from Aulis, and now from Troy.

Then a second list, almost as long as the first: the endless names of Greek dead. Achilles’ jaw grows hard as Odysseus draws forth tablet after tablet, crammed to the margin with marks. Ajax looks down at his hands, scabbed from the splintering of shields and spears.

Then Odysseus tells us news that we do not know yet, that the Trojans are less than a thousand paces from our wall, encamped on newly won plain we could not take back before dusk. Would we like proof? We can probably see their watch-fires from the hill just beyond our camp. They will attack at dawn.

There is silence, a long moment of it, before Achilles speaks. “No,” he says, shoving back treasure and guilt. His honor is not such a trifle that it can be returned in a night embassy, in a handful huddled around a campfire. It was taken before the entire host, witnessed by every last man.

The king of Ithaca pokes the fire that sits between them.

“She has not been harmed, you know. Briseis. God knows where Agamemnon found the restraint, but she is well kept and whole. She, and your honor, wait only for you to reclaim them.”

“You make it sound as if I have abandoned my honor,” Achilles says, his voice tart as raw wine. “Is that what you spin? Are you Agamemnon’s spider, catching flies with that tale?”

“Very poetic,” Odysseus says. “But tomorrow will not be a bard’s song. Tomorrow, the Trojans will break through the wall and burn the ships. Will you stand by and do nothing?”

“That depends on Agamemnon. If he makes right the wrong he has done me, I will chase the Trojans to Persia, if you like.”

“Tell me,” Odysseus asks, “why is Hector not dead?” He holds up a hand. “I do not seek an answer, I merely repeat what all the men wish to know. In the last ten years, you could have killed him a thousand times over. Yet you have not. It makes a man wonder.”

His tone tells us that he does not wonder. That he knows of the prophecy. I am glad that there is only Ajax with him, who will not understand the exchange.

“You have eked out ten more years of life, and I am glad for you. But the rest of us—” His mouth twists. “The rest of us are forced to wait for your leisure. You are holding us here, Achilles. You were given a choice and you chose. You must live by it now.”

We stare at him. But he is not finished yet.

“You have made a fair run of blocking fate’s path. But you cannot do it forever. The gods will not let you.” He pauses, to let us hear each word of what he says. “The thread will run smooth, whether you choose it or not. I tell you as a friend, it is better to seek it on your own terms, to make it go at your pace, than theirs.”

“That is what I am doing.”

“Very well,” Odysseus says. “I have said what I came to say.”

Achilles stands. “Then it is time for you to leave.”

“Not yet.” It is Phoinix. “I, too, have something I wish to say.”

Slowly, caught between his pride and his respect for the old man, Achilles sits. Phoenix begins.

“When you were a boy, Achilles, your father gave you to me to raise. Your mother was long gone, and I was the only nurse you would have, cutting your meat and teaching you myself. Now you are a man, and still I strive to watch over you, to keep you safe, from spear, and sword, and folly.”

My eyes lift to Achilles, and I see that he is tensed, wary. I understand what he fears—being played upon by the gentleness of this old man, being convinced by his words to give something up. Worse, a sudden doubt—that perhaps, if Phoinix agrees with these men, he is wrong.

The old man holds up a hand, as if to stop the spin of such thoughts. “Whatever you do, I will stand with you, as I always have. But before you decide your course, there is a story you should hear.”

He does not give Achilles time to object. “In the days of your father’s father, there was a young hero Meleager, whose town of Calydon was besieged by a fierce people called the Curetes.”

I know this story, I think. I heard Peleus tell it, long ago, while Achilles grinned at me from the shadows. There was no blood on his hands then, and no death sentence on his head. Another life.

“In the beginning the Curetes were losing, worn down by Meleager’s skill in war,” Phoinix continues. “Then one day there was an insult, a slight to his honor by his own people, and Meleager refused to fight any further on his city’s behalf. The people offered him gifts and apologies, but he would not hear them. He stormed off to his room to lie with his wife, Cleopatra, and be comforted.”

When he speaks her name, Phoinix’s eyes flicker to me.

“At last, when her city was falling and her friends dying, Cleopatra could bear it no longer. She went to beg her husband to fight again. He loved her above all things and so agreed, and won a mighty victory for his people. But though he had saved them, he came too late. Too many lives had been lost to his pride. And so they gave him no gratitude, no gifts. Only their hatred for not having spared them sooner.”