The Motion of Puppets(3)
Across the street, a light snapped on at the Quatre Mains, throwing a rectangle on the sidewalk. He was surprised by the sign of life in the little toy shop. Shrugging the strap on his bag higher on his shoulder, Theo headed across the narrow street to investigate. The dolls and puppets in the display stood out more sharply in the artificial glow, and he could make out the shelves of toys and the marionettes dangling from wires hung in the ceiling and a mélange of hand puppets propped on the hooks of a coatrack. He pressed his nose against the glass, fascinated by what had long been enshadowed. The room seemed alive with promise, and he tore himself away from the window to try the door, only to find it locked as ever. He knocked loudly.
“Hello, hello, anyone there?”
No reply. He banged on the glass and tried in French. “Il y a quelqu’un? Allo.”
Nothing stirred inside. He listened for footsteps, made binoculars of his hands, and pressed close but saw nothing. Perhaps there was a back entrance off the alleyway. While he debated whether to check, he rattled the doorknob twice and called out again, his voice echoing off the storefront, embarrassingly strange in the street. A family of five passed by, parents of three small children, turning their heads in unison to the disturbance he was making. The lights inside the store went out suddenly, and he found himself in the dark, pondering his next move. Backing into the street, he looked up to the second story of the building, but the windows were as bare and dusty as ever. There must be a rear door, he concluded, and gathering his wits, he crossed the street again, rueful over the missed opportunity for the gifts he might have bought for her. When he stepped inside the café, the boisterous crowd and sensuous aromas from the kitchen made him forget all else.
*
Sarant balanced her hands on the sphere and carefully raised her body, resting her weight on the fulcrum of her wrists and the bent angle of her forearms. The June air was hot and humid in the open plaza where the cirque held their free summer shows, honing them for the performances later that year. A moth fluttered inches from her face, but she did not break her concentration on her internal gyroscope. A bus rumbled along an overpass, but the people in the stands and the groundlings beneath them noticed nothing but the acrobats, the lights buzzing faintly, the swell of music from the hidden orchestra. Sarant pressed forward, arching her back and lifting and curving her legs, and then she pushed her arms against the sphere, extending and raising her whole body so that it appeared as a kind of question mark. Black as holes, her eyes focused on a spot above her forehead where she would soon put her toes, contorting her whole form. A low murmur of unease ran through the people closest to the stage, as they realized that the human body was not meant to bend that way. Her muscles twitched with the strain and she exhaled carefully, since one errant breath could upset her balance and send her tumbling. Out in the dark, weak applause grew into crescendo, and Sarant held the pose for a few moments longer before lowering her torso in one fluid motion. Then she swung her legs and straddled the metal ball, and leapt forward, landing perfectly on the flooring. Stuck it, like the gymnast she was. From her place in the chorus behind the acrobat, Kay could see the line of sweat along Sarant’s backbone darkening her costume like a streak of blood. The applause trailed off, as she smiled and bowed. Kay wanted thunder—didn’t they know how difficult this was? But, no, the audience saved their awe for the fliers who swooped from cabled rope attached to the bottom rails of the overpass, to the daredevils who raced across the ramps on their skates and bicycles and the ringmaster on his unicycle, for the climbers and the risk takers. The delicacy and grace of this interlude paled against the wow of motion that was the signature of the cirque.
Caught up in her grinding resentment, Kay nearly missed her cue. The eight of them, four on each side, rose together and shuffled forward to make the shape of an undulating lotus blossom with Sarant as the radiant center, and closing in on her, she seemed to disappear in their petaled embrace, slipping away through a trapdoor in the stage floor, gone when the flower unfolded. The trick never failed to draw an appreciative gasp from the crowd, the children in particular beholden and amazed. The spotlights snapped off so the petals could escape in darkness, while a new light shone on the group of men teetering on mountain bikes and skateboards on a platform that ran twelve feet overhead along the perimeter of the backstage. Kay had fourteen minutes to make her costume change for the final act.
Crammed together in the dressing room trailer, the acrobats and contortionists stripped off their leotards and found their more fanciful outfits, streaked on their face paint, wriggled into bustiers and headdresses, a riot of feathers and spangles and bared skin. Reance, the master of ceremonies, weaved between the girls in their varied states of dishabille, stopping once to whisper a word in Sarant’s tiny ear, a secret compliment that made her blush through the makeup. Squeezing between two half-naked women, he headed straight for Kay. She looked up at the faintly comical figure in front of her, his makeup craquelled on his skin, his old-fashioned pilot’s cap and goggles perched atop his white hair, dividing it into tufts, his ridiculous sideburns and mustache, his long leather duster festooned with pocket watches and compasses and other dials dangling from chains. A steam punk Father Time, though she could never discern the symbolic importance of his character. The night pilot of all dreams, or some such metaphor. Truth be told, she understood little about the dramaturgy of the show, baroque as an opera, the plot a twist on a lovers’ triangle, and a boy at the center of it all, caught in time, encased inside a dream of his future. To keep her mind on the performance, she rarely thought of the story. Little more than a way to showcase the acrobats and jugglers, the costumes and music and lights and dazzle of motion. Reance watched as Kay buttoned her blouse, and then he leaned in close enough for her to smell the garlic on his breath.