The Girl In The Ice (Detective Erika Foster, #1)(58)
‘We need the resources to retrieve it,’ said Moss.
‘I’ll have a crack at Marsh,’ said Erika.
‘You sure? Isn’t that a bit risky?’ asked Moss.
‘I’ve known him a long time.’
‘He was an ex?’
‘God, no. I trained with him, and I introduced him to his wife. That’s got to count for something,’ said Erika. ‘And if it doesn’t, well, what have I got to lose?’
37
Chief Superintendent Marsh was forcing himself to eat his second crème br?lée. He was already full, but they were just so good. He gripped the ramekin and plunged his spoon through the crisp caramel with a satisfying crunch. Marcie had bugged him for one of those cook’s blowtorches for Christmas, promising she’d make him crème br?lée every week. She’d almost kept her promise.
He looked at her, bathed in the candlelight of their dining room. She sat next to him at the long dining table, and was deep in conversation with a round-faced man with dark hair whose name escaped Marsh. He’d been listening out all evening to see if Marcie mentioned this man by name, but so far she hadn’t. Forgetting the name of the head of her art class would guarantee nothing would happen in the bedroom later – and Marsh wanted her badly. Her long dark hair hung loose over her shoulders, and she wore a long floaty white dress which clung to the curve of her breasts. He looked around the table at their other three guests, thinking how unattractive they were in comparison: a middle-aged woman with scarlet lipstick, who was managing to look both grubby and elegant, an old man with a straggly beard and long fingernails, who Marsh was convinced had only come along for the free food, and a thin camp guy with mousy hair tied back in a ponytail. They were deep in conversation about Salvador Dali.
Marsh was wondering if it would be rude to offer them coffee whilst desert was still being eaten, when the front door knocker clattered. Marcie tilted her head to Marsh and frowned.
‘Don’t let me disturb you, I’ll go,’ he said.
Erika reached up impatiently and knocked again. She could see people were home; the curtains were drawn at the large bay window, and laugher seeped out with the soft glow of light. Moments later, the hall light came on and Marsh opened the door.
‘DCI Foster. What can I do for you?’
She noted he looked quite handsome in crisp beige chinos and a blue shirt rolled up at the sleeves.
‘Sir, you’re not picking up my calls and I need to talk to you,’ she said.
‘Can it wait? We’ve got company,’ said Marsh. He noticed Erika was clutching a pile of what looked like case files.
‘Sir, I believe the murders of Andrea Douglas-Brown and Ivy Norris are linked to three other murders. Young girls found in the same circumstances as Andrea. The murders have happened periodically since 2013. All found dumped in water in the Greater London area . . .’
Marsh shook his head, exasperated. ‘I don’t believe this, DCI Foster . . .’
‘Sir. They were all young Eastern European girls,’ said Erika. She flicked open a file and held up the crime scene photo of Karolina Todorova. ‘Look. This girl was just eighteen; strangled, her hands were bound behind her back with a strip of plastic and her hair was pulled out at the temples. She was dumped in the water like rubbish.’
‘I want you to leave,’ said Marsh.
She ignored him and pulled out two more photos, ‘Tatiana Ivanova, nineteen and Mirka Bratova, eighteen. Again, strangled, hands bound in exactly the same way, hair pulled out and dumped in water. All in a ten mile radius around central London. Even the type of girl is the same. Dark, long hair, hourglass figure . . . Sir, DCI Sparks has had this file for two days. The similarities are so obvious, even to a copper straight out of—’
A door down the corridor opened, releasing a burst of laughter. Marcie approached the front door. ‘Tom, who is it?’ she said. Then she saw the picture Erika held up, of Karolina half-naked and rotting in the water.
‘What’s going on?’ she said, looking between Erika and Marsh.
‘Marcie. Please go back inside, I’m dealing with this . . .’
‘Let’s see what Marcie thinks,’ said Erika, opening another folder and holding up a large photo of Mirka Bratova’s body photographed lengthways, her face staring in terror. Leaves and vegetation clung to her pale flesh; her pubic hair was matted with blood.
‘How dare you! This is my home!’ cried Marcie, putting her hand over her mouth. Erika refused to close the file.
‘This girl was just eighteen, Marcie. Eighteen. She came to England thinking she had work as an au pair, but she was forced into prostitution, no doubt raped regularly, and picked up and brutally strangled. Time goes so fast, doesn’t it? How old are your two little girls now? They’ll be eighteen before you know it . . .’
‘Why is she here? Why aren’t you dealing with this at work?’ cried Marcie.
‘That’s enough, Erika!’ shouted Marsh.
‘He’s not dealing with it at work!’ said Erika. ‘Please, sir. I know that there has been a trace on a phone belonging to Andrea Douglas-Brown. Give me the resources to find that phone. There’s stuff on that phone about Andrea’s life. Stuff she kept secret. I believe that information could lead us to catch who killed her and these girls. Look at their photos again. Look at them!’