The Final Day (After, #3)(5)
The sunporch had been the final sickroom for his daughter, Jennifer, who died there. It was also where his mother-in-law, Jen, had slipped away. He had tried to balance all, death and new life in the same room, and in some small way, it had helped to ease his grief and heartrending memories.
John fought down the temptation to ask to hold one of the twins for a moment. Makala had repeatedly warned that in this now heavily germ-laden world, the less exposure they had to others over the next few months, the better. Paul, after a quick kiss to Becka’s forehead and a fond look at the girls, was already pointing the way to the basement door.
John and Forrest followed him down into the darkness, and at the bottom of the stairs, Paul flicked a switch and a single fluorescent light flickered to life. It was definitely something John and Forrest were still not really used to—a flick of a switch and a light comes on. The town’s electrical grid was still slowly expanding from its first base at Lake Susan, and half a dozen other hydro projects were under way across the State of Carolina, but electric was still strictly rationed to public facilities and even then only ran for half a dozen hours each day. Paul and Becka had a special exemption for the cavernous library basement, able to illuminate their work area by recharging old flashlights while the power was on and suspending them from the ceilings so they could continue what they called “mining the past,” and from the way Paul was acting, he must have hit pay dirt again.
John looked around the storage area in wonder. The air was heavy with the disquieting scent of mold, mildew, mouse droppings, and tens of thousands of slowly decaying magazines and books. He paused to look at one pile that Becka said she was sifting through, a vast stack of Life magazines going back to the 1930s. The sight of it triggered memories of when he was a boy down with a bad case of the flu when his mother would come home from the library every few days with magazines from the Second World War era and the ones from the Civil War centennial of the early 1960s, inspiring his lifelong interest in the subject.
Life, Look, Saturday Evening Post, Newsweek, Time, even a pile of Mad magazines created a nostalgic smile and also a sadness for the lost world—not just of his childhood but for everyone’s loss.
“It’s back here, you guys!” Paul cried, pointing the way, and John felt pulled away, resolving that someday, if there ever was a someday without all his worries and concerns, he’d come back down here and perhaps just spend that day with Mad and the zany artwork of Don Martin, or dig through the stack of Boys’ Life for short stories by Ray Bradbury, or just look at the cover art for Saturday Evening Post and the lost world of Norman Rockwell. He looked over at Forrest, who was smiling as he thumbed through an aged copy of Playboy. John wondered why anyone would ever donate that to the college library book sale.
Forrest shrugged. “I used to get it for the articles,” he said a bit defensively, and John laughed. A pleasure since laughter was now so rare in his life. “Really, I loved Jean Shepherd—you know, the guy who wrote that Christmas movie about the kid with the BB gun. Here’s one of his stories.”
John looked over Forrest’s shoulder, a bit disbelieving, only to see it was indeed a story by “Shep,” whom he used to listen to on the radio when he was a kid and had once used the identical excuse when his mother had found his stash of the infamous magazines hidden behind his desk.
“Come on, you two, and leave that magazine there.” Paul stood, pointing the way farther back into the rabbit warren of the basement.
John followed him, going past a table stacked with educational tools discarded decades ago: old Dukane machines, which were thirty-five-millimeter projectors rigged to a record player, the slide changing every time there was a high-toned beep from the record—students were forever trying to imitate the sound of the beep to throw the projector off for some show for health class; overhead projectors, abandoned when PowerPoint came along; stacks of eight-track music cartridges; old classical 33 RPM records, which were useless, though older 78s were sought after thanks to those who had found hand-cranked record players in their attics and basements; mimeograph machines, which even he had tried to fiddle with after the Day, but the copying solution with its unique alcohol smell was nowhere to be found or reproduced. Just the sight of those old machines triggered a memory of the smell when a teacher handed out an assignment or bulletin, the blue ink smearing at times if still wet.
There were IBM Selectric typewriters, a dozen or more; John had looked those over as well after the Day, hoping that maybe the ribbons could be looted for his long-ago worn-out Underwood manual typewriter. There were several Singer sewing machines, from back in the days when the college was a female-only institution and students were most likely taught home economics. Of all things, a grandfather clock caught John’s eye, something that might be worth salvaging until he saw that the weights and pendulum were fake, an electrical cord draped up over the top of the machine. And back in a corner, of all things, a pinball machine, a classic Black Knight, which he remembered was still in use in the student lounge when he had first come to teach at the college.
Paul had stopped at a workbench in the far corner of this moldering gold mine of lost memories and lost technologies. He was smiling like a guide in a cave who was obviously proud of his domain as if he himself had created it.
He was pointing at a tan box, the corporate logo just above the keyboard—a more than thirty-year-old Apple IIe computer.
“You found an antique computer and…?” John asked, voice trailing off.