Spectacle (Menagerie #2)(3)
Her older sister, Mirela, was already dressed in the white flouncy blouse and long, colorful skirt of a fortune-teller—an oracle cursed by fate with the genes of a “cryptid” and cursed by law with the chains of captivity.
Once, the outfit and chains had been authentic. Their internment in the traveling menagerie had been reality. Now the clothes were a costume—the wool pulled over the eyes of an audience that wanted to believe what it was seeing.
Metzger’s Menagerie—the institution that had once held her in bondage, half-starved and sometimes beaten where the bruises wouldn’t show—had become her salvation. It was now the veil shielding her from the prying eyes and cruel hands the rest of the world seemed so eager to wield.
Lala, Rommily’s younger sister, wore blue jeans and a red uniform shirt, which declared her name to be Louise. That was a lie Rommily found funny on some days and sad on others, but today she gave it little thought as she stepped behind the folding screen and exchanged her long white cotton dress for a blouse and skirt matching Mirela’s. She wasn’t fit to perform—not even the miracle of freedom could fix her shattered mind—but she had to wear the costume because the inability to control her visions meant she couldn’t pass for a human employee.
Dressed, she let Lala secure her with chains and shackles that didn’t really lock. Then when Mirela slid her paperback novel beneath the table and gave them a nod, Lala led Rommily out the tent onto the midway, where she would serve as a living advertisement for the wonder customers would find inside.
Overhead, static blared from a speaker mounted on a tall pole, then organ music poured forth, its playful notes dancing up and down the oracle’s spine, spinning around and around in her head like the stylized mermaid and unicorn seats on the carousel. The music was calming, some nights, because it signified a routine she knew well. But tonight the notes made her dizzy.
The oracle’s gaze lost focus. Her eyes closed as she chased the melody in her head, winding down mischievous paths and around dark corners. She didn’t notice when the carnival gates opened or the crowd appeared. She didn’t notice when Lala launched into her spiel.
The music felt odd tonight.
Laughter broke into the oracle’s thoughts and her eyes flew open as a father passed by the fortune-teller’s tent, tickling a toddler whose hair was fixed in blond pigtails.
“Cradle and all...” Rommily mumbled, her gaze glued to the child as terrifying images flickered deep in her mind. The crowd seemed to blur as her focus skipped from face to face, searching for another piece of a puzzle she would never be able to fully assemble.
Minutes later, a man and woman pushed a stroller down the midway. Rommily stared into it as it passed, and her eyes glazed into solid white orbs. “Out with the bathwater!” People turned toward the oracle and her petite female handler, intrigued by what they assumed to be part of the show. “Wednesday’s child! From the cradle to the grave!”
Parents pulled their children closer. The crowd began to murmur, and the whispered word reaping met Rommily’s ears.
Lala’s sales pitch ended in midsentence as she tried to shush her sister. But Rommily’s message—unclear as it was—could not go unheard.
“The hand that rocks the cradle rules the world!”
Delilah
Calliope music shrieked from the speakers just off the midway, its grating notes bouncing around my head like the ricochet of a whimsical bullet. Night after night, the iconic circus music managed to overwhelm all the other sounds of the menagerie, no matter how loud the cries of the barkers and buzz of the crowd grew.
Not that there was much of a crowd on the midway, after 10:00 p.m. The main event drew most of the customers into the big top for the last two hours of every evening, leaving only stragglers to knock down mermaid-shaped cutouts with water guns and toss rings onto an inflatable minotaur’s plastic horns. Or to visit the exhibits.
“Delilah!”
I turned toward the sound of my name to find Lala at her post in front of the fortune-teller’s tent. Folding my arms over my clipboard, I crossed the sawdust-strewn path toward her, sidestepping a little boy eating a melting ice-cream cone while his father threw darts at the balloon breasts of a cartoon-style siren. My head throbbed from the music and my feet ached from another eighteen-hour workday, but I put on a smile for Lala.
She was living her dream.
“How’d we do?” the youngest of the three oracles asked, crossing her arms over a red Metzger’s Menagerie polo. She’d filled out a bit with proper nutrition, since our coup of the menagerie, but the true source of her newfound confidence was the hours she spent watching television and listening to the radio while she worked, immersing herself in human culture. Despite her youth—she was barely nineteen—Lala had become one of our most self-assured and dependable liaisons with human society, and it certainly didn’t hurt that she looked completely human when she wasn’t in the grip of a vision.
“Um...” I checked the figure at the bottom of the form clipped to my clipboard. “Fifty-one thousand, two hundred seventy-two dollars.” Gross. In one night.
“That’s almost a thousand dollars more than last night.” Lala’s brown eyes shone in the light from a nearby pole. “That’s good, right?”
“It’s very good.” That was nearly twice what I’d made in a year as a bank teller, before I was “exposed” and sold into the menagerie. I should have been thrilled, especially considering that at $104 per ticket, admission wasn’t exactly affordable for the nine-to-fivers and minimum wagers who made up most of our customer base. Yet people kept paying night after night, in town after tiny, rural town.