Shattered Secrets (Cold Creek #1)(89)

Tess wanted to scream. This seemed a nightmare from which she must surely wake. She longed to tell this woman her trivial knowledge was nothing—nothing!—because she was a monster. But she had to hold herself together. At least Mama Sybil would be in her wheelchair, and she should be able to overtake her when Miss Etta went to finish her business. Of digging graves? Even if Miss Etta locked them in, even if she tied Tess, surely, with Sandy’s help—if she wasn’t drugged—she’d be able to get away, break out, rush downstairs with Sandy, or at least get to a phone in the house to call 911. She’d bet her life—which was probably what she was doing—that this house had a landline, maybe with an old dial phone.

The other thought Tess had as they reached the chained attic door was that she was still terrified to face that horrible old lady again. If Mama Sybil had a pistol too, would she be risking a bullet to the brain, like Dane?

*

Even after all the negative reports came in from the volunteer teams, Gabe had exhausted himself searching. He was running on sheer adrenaline, guts and fear. He’d explored Tess’s house, attic to cellar, and about jumped out of his skin when his flashlight had illumined a dummy on the floor of the basement. He remembered that Grace had done sewing and alterations to earn extra money before they moved to the Hear Ye compound. It was an old dressmaker’s mannequin, but it had looked like a woman on the floor at first.

He was so desperate that he had requested another search warrant, this one for Bright Star’s compound. He was afraid he was getting to be persona non grata with the judge, but he didn’t care anymore. Not about his health, his job, his life—he just wanted to find Tess, Jill and Sandy safe. Had someone taken Tess off Main Street outside the library?

He drove to the burned-out site of Marva Green’s old house and searched the back buildings again. Nothing but trash, owls and rats. He sat down on an upturned tin tub and tried to think about where else he could search.

He decided to go back to the office, make that call to the church woman who had counseled Tess. His hope was that maybe she’d kind of debriefed little Teresa and could shed new light on what happened all those years ago. He remembered his father saying that Tess’s mother thought it best if no one mentioned the horrible experience, but just tried to go back to normal. Normal? Nothing had ever been normal again.

*

Miss Etta unlocked the padlock on the chain holding the attic door closed, and it rattled as it uncoiled itself. Tess was tempted to shove the woman down the stairs, but that pistol could go off. And would it endanger Sandy if she was with Mama Sybil on the other side of that door? If only she could get her hands untied like her feet.

Tess steeled herself for what she’d find within, but she also realized that, if Miss Etta locked them in again, they weren’t getting out of this chained door without an ax.

With the pistol still pressed to her side, Tess shuffled into the dim attic. She scanned the length of it, built with a long center section and two wings. A small bed under the eaves, a few toys—and another Mr. Mean leaning against the slanted wall under the eaves. Two bare lightbulbs dangled from the ceiling. Old hump-backed trunks were stored here. Stacks of old-fashioned hat boxes, several old, cracked paintings, bedsprings and a headboard, all suddenly, horribly familiar.

But why would Miss Etta keep her mother up here? Those stairs must be close to impossible for a crippled person in a wheelchair. It was chilly here too, so wouldn’t she keep her mother downstairs? Tess recalled that it was the first floor where she’d been forced to climb onto the old woman’s lap to be cuddled and petted—and held down to be beaten when she disobeyed, all under the watchful eye of a stag head mounted over the fireplace mantel.

As Tess’s eyes adjusted, she saw Mama Sybil at the far end of the room sitting slumped in her wheelchair. And Sandy—she was alive!—sat in her lap.

Miss Etta prodded Tess closer with the gun still in her ribs. Her first instinct was to comfort Sandy, who, thank God, turned her head and moved one leg to show she was alert. She must be drugged or too terrified to speak.

Miss Etta prodded Tess. “Apologize to Mama Sybil for escaping!” She stopped Tess about ten feet from Mama Sybil. “Get on your knees and tell her you are very, very sorry!”

Tess dropped to her knees with the pistol now pressed to the nape of her neck. Before she could speak, a deep voice behind her spoke. “Is this our Teresa come back to us, Etta?”

Tess gasped and jerked.

Sandy stirred on Mama Sybil’s lap and sniffled.

“I’m sorry I ran away, Mama Sybil,” Tess said. “Can I come closer?”

“All right,” the voice from behind intoned. “But you behave or else.”

Miss Etta was speaking for her mother. Tess thought maybe the old woman had suffered a stroke and couldn’t talk.

“On your knees, forward,” Miss Etta said, in what Tess recalled was a perfect rendition of her cruel mother’s voice.

Tess scooted forward. She forced a smile at Sandy and mouthed reassuring words. Sandy, hello.

Then she gasped. There was no woman holding Sandy. She—it—had no face except an enlarged photograph of Mama Sybil with stuffing behind it and a nylon stocking pulled over it to which a white wig was tied or sewn. The body was maybe wood sticks, like a scarecrow, wrapped with cloth, or stuffed, with fake arms and legs. The gown was old-fashioned and smelled stale and musty. A crocheted afghan was over the legs clear down to a pair of old black, laced shoes. It was so grotesque, yet so real from a distance, that Tess felt she’d been punched in the stomach. She almost screamed.