Say My Name (Stark International Trilogy, #1) (4)
I grimace. Just the thought makes my skin feel clammy, because this project is mine. I conceived it, I pitched it, and I’ve worked my ass off to get it off the ground. It’s more than a resort to me; it’s a stepping stone to my future.
I have to keep this project alive. And, dammit, I will keep it alive. Even if that means approaching the one man I swore I would never see again.
“We need a plan in place,” I say. “A definitive course of action to present to the investors.”
Despite the situation, I see a hint of amusement in Damien’s eyes. “And you have a suggestion already. Good. Let’s hear it.”
I nod and tighten my grip on my tote bag. “The investors were impressed by Glau’s reputation and his portfolio,” I say. “But that’s not something we can replicate in another architect.” As the moving force behind some of the most impressive and innovative buildings in modern history, Glau was a bona fide starchitect—an architect with both the skill and celebrity status to ensure a project’s success.
“So I suggest we present the one man who by all accounts is poised to meet or surpass Glau’s reputation.” I reach into my bag and pull out the magazine, then pass it to Damien.
“Jackson Steele.”
“He has the experience, the style, the reputation. He’s not just a rising star in the field—with Glau out of the picture, I think it’s fair to say that he’s the new crown prince. And that’s not all. Because even more so than Glau, Steele has the kind of celebrity appeal that this project can use. The sort of publicity potential that will not only excite the investors, but will be a huge boon when we market the resort to the public.”
“Is that so?” Stark says, his voice oddly flat. I see him catch Nikki’s eyes, and can’t help but wonder at the quick look that passes between the two of them.
“Read the article,” I urge, determined to prove my point. “Not only is there a rumor that the story surrounding one of his projects is going to be adapted into a feature film, but they’ve already produced a documentary on him and that museum he did last year in Amsterdam.”
“I know,” Damien says. “It’s premiering at the Chinese theater tonight.”
“Yes,” I say eagerly. “Are you going? You could talk to him there.”
Damien’s mouth twists with what I think is irony. “Oddly enough, I wasn’t invited. It’s only on my radar because Wyatt mentioned it. He’s been hired to take the red carpet photos and some candids of the guests.”
“But that’s my point,” I press. “It’s a red carpet event. This guy has celebrity sparkle all the way. We need him on our team. And the article also says that he’s looking to open a satellite office in Los Angeles, which suggests that he’s trying to move more into the West Coast market.”
“Jackson Steele isn’t the only name in the pot,” Damien says.
“No,” I agree. “But right now he’s the only one with a serious spotlight on him. More than that, I’ve already looked into the few others who might appeal to the investors, and none have current availability. Steele does. I didn’t present Steele as a possible architect in the original development plan because he was committed for the next six months to a project in Dubai.” At the time, I’d been grateful that Jackson was unavailable because I didn’t want to be in exactly this position. Now, however, things have changed.
“The Dubai project fell through,” I continue. “Political and financial issues, I guess. It’s all outlined in the article. I did some quick research, and I don’t believe Steele has another green-lit project, but it won’t stay that way for long. Jackson Steele can save the Cortez resort. Please trust me when I tell you that I wouldn’t suggest him if I didn’t absolutely believe that.”
And wasn’t that the god’s honest truth?
“I believe it, too,” Damien says. “And I agree with your assessment of the situation. If we don’t get Jackson Steele on board right away, we’ll lose our investors. The only other way to keep the project alive is if I fully fund the project, either using corporate assets or my personal funds.” He draws in a breath. “Sylvia,” he says gently, “that’s not the way I do business.”
“I know. Of course I know that. That’s why I’m suggesting we approach Jackson. I mean Steele,” I correct, biting back a wince at my unintentional familiarity. “This is a high profile project—exactly the kind of thing that he’s focusing on these days. He’ll sign on. Everything about it is what he’s looking for.”
Once again, Damien and Nikki share a look, and worry snakes through me.
“I’m sorry,” I say. “But is there something I don’t know?”
“Jackson Steele has no interest in working for Stark International,” Nikki says, after a brief hesitation.
“He—what?” It takes a moment for the words to sink in. “How do you know?”
“We met him when we were in the Bahamas,” Nikki explains. “Damien offered to bring him in on the ground floor for the Bahamas project, pulling him in even before Stark International acquired property. Full access to every detail of the project. But he made it very clear that he doesn’t want to work for Damien or any of Damien’s companies. He says that Damien casts a long shadow, and he’s not interested in being caught under it.”