Released (Devil's Blaze MC #3)(74)

I step inside only to mourn an onslaught of stairs before me. Enlisting the strength and dexterity from my basic combat training in New York (or rather, stage combat training), I choreograph and execute a one-woman routine of dragging my suitcase up five steps, sliding it across the narrow landing, then up eleven more. Entering the second floor, I squeeze past a crowd of guys guffawing at a spilled box of soda cans two paces from my room, 202. They’re daring each other to open a can when I make it to my door, ready to reveal my college dorm room to my eager eyes.

The door swings open, exposing two beds, two dressers, and two desks. The smell is hundred-year-old musk and even older mildew. The bare walls, pocked with scratches and holes, are the color of a rash my sister got once that she made me swear never to tell anyone about. How adorable. The bathroom appears to be a small chamber of doom that connects to the neighboring dorm, suite-style.

I smile. No one in the world would recognize it as one, but it’s there. My college experience is going to have to include sharing a bathroom with three other girls I’ve never met. In a bleak room that’s just short of padded walls.

I fight a rare urge to call my mother and demand that she give me a bigger allowance and allow me the mercy of getting an apartment like any other twenty-two year old adult. Then, I gently remind myself that this is what I wanted. No privilege. No personal chefs. No driver who takes me around town. No ritz and glitz. No fancy cocktails. Just a fixed allowance and meal plan like every other student.

For once, a normal life among normal people doing normal, college-y things.

I have a sudden craving for this gourmet lobster bisque that only my mother’s chef Julian makes.

Focus, Dessie! Piece by piece, I unpack my suitcase and hang each article of clothing in the tiny closet, which is a quarter the size of mine at home, leaving one half of it empty for my mystery roommate. Then, I sit on the bed I’ve made, which creaks happily under my weight, and listen to the noise in the hallway of families moving their kids into their dorms, the sound of laughter and banter and shuffling furniture and boxes reaching my ears and vibrating the walls.

My parents told me to call them when I was all moved in. I prefer that they presume I’m lost or dead. So caught up in mother’s performance in London next month, I doubt they’ll even give me a thought until well into my father’s fourth glass of chardonnay when he finally looks up from his lighting design charts to ask, “Did we hear from Dessie yet?”

It’s already almost seven, so I push myself off the bed and pray there’s more than just freshmen at this courtyard mixer. When I open my door, I’m greeted with the sight of the room across the hall, its door propped open. Scarves of varying shades of purple adorn the ceiling in bilious clouds of silk, giving the room the look of a 16th century gypsy’s tent. A lamp burns orange on the desk within my view, which is littered in shimmering glass trinkets that pick up the light. It is night and day from the starkness of my room to the glamour of hers. Beads line the closet door, and they rattle when the room’s occupant moves through them carrying a thin book pinched open in one hand and a bottle of lemon vitamin water in the other.

She turns, spotting me. “Hi,” all eighty-nothing pounds of her says lamely, her bushy afro dancing with her every step as her needle eyes focus on me. She stands at her doorway. “You’re living in 202?”

“It seems to be my tragic situation,” I admit. She’s reading a play, I realize with a closer look. She’s a fellow Theatre major. Befriend her, damn it! I give a subtle nod to her décor. “I like what you’ve done with your—”

“I have a lot of reading to do, if you don’t mind.” She gives me a curt nod, then taps the rim of her playbook with the closed end of her vitamin water.

“As Bees In Honey Drown?” I note, catching the title off of the cover. “I played Alexa in Brendan Iron’s production in New York last spring.”

“New York, you say?” A light flashes in her eyes. “You don’t look like a freshman. Are you a transfer? New York? Where in New York?”

Now I’m suddenly worth her time. It’s amazing, the power of a simple name-drop. I discreetly leave out the fact that it was less of a production in New York and more of a botched audition. “I’m a transfer from Rigby & Claudio’s Acting, Dan—”

“Acting, Dancing, and Musical Academy,” she finishes for me. The whites of her eyes are ablaze, making her already dark skin look like a rich sea of rosewood. “And you transferred? What brought you from there to … to here?”

A fierce vision comes forth of my former director, Claudio Vergas himself, as he hollers at my indignant face, flecks of his morning coffee dusting the stage floor between us. It was the first time he’d ever lost his temper enough to throw his favorite mug. I can still hear the porcelain as it shattered against the lip of the stage. I didn’t even flinch. I lifted my chin and called him a stiff-necked, pretentious, know-it-all panty-wad. It was not my best moment.

“Artistic differences,” I answer vaguely.

“New York,” she moans, all her childhood dreams of being in the limelight painted across her glassy eyes. “I’m Victoria,” my new best friend says, shoving the script under an arm and extending her hand. “Victoria Li. Third year Theatre major. Don’t call me Vicki. I have violent reactions to being called Vicki. I’ll cut a bitch. But not you. Unless you call me Vicki.”