Paper Towns(37)

And I knew exactly what Ben meant: he meant listening to the Mountain Goats with your friends in a car that runs on a Wednesday morning in May on the way to Margo and whatever Margotastic prize came with finding her. “It beats calculus,” I answered. The music was too loud for us to talk. Once we got out of Jefferson Park, we rolled down the one window that worked so the world would know we had good taste in music.

We drove all the way out Colonial Drive, past the movie theaters and the bookstores that I had been driving to and past my whole life. But this drive was different and better because it occurred during calculus, because it occurred with Ben and Radar, because it occurred on our way to where I believed I would find her. And finally, after twenty miles, Orlando gave way to the last remaining orange tree groves and undeveloped ranches—the endlessly flat land grown over thick with brush, the Spanish moss hanging off the branches of oak trees, still in the windless heat. This was the Florida where I used to spend mosquito-bitten, armadillo-chasing nights as a Boy Scout. The road was dominated now by pickup trucks, and every mile or so you could see a subdivision off the highway—little streets winding for no reason around houses that rose up out of nothing like a volcano of vinyl siding.

Farther out we passed a rotting wooden sign that said GROVE-POINT ACRES. A cracked blacktop road lasted only a couple hundred feet before dead-ending into an expanse of gray dirt, signaling that Grovepoint Acres was what my mom called a pseudovision—a subdivision abandoned before it could be completed. Pseudovisions had been pointed out to me a couple times before on drives with my parents, but I’d never seen one so desolate.



We were about five miles past Grovepoint Acres when Radar turned down the music and said, “Should be in about a mile.”

I took a long breath. The excitement of being somewhere other than school had started to wane. This didn’t seem like a place where Margo would hide, or even visit. It was a far cry from New York City. This was the Florida you fly over, wondering why people ever thought to inhabit this peninsula. I stared at the empty asphalt, the heat distorting my vision. Ahead, I saw a strip mall wavering in the bright distance.

“Is that it?” I asked, leaning forward and pointing.

“Must be,” Radar said.

Ben pushed the power button on the stereo, and we all got very quiet as Ben pulled into a parking lot long since reclaimed by the gray sandy dirt. There had once been a sign for these four storefronts. A rusted pole stood about eight feet high by the side of the road. But the sign was long gone, snapped off by a hurricane or an accumulation of decay. The stores themselves had fared little better: it was a single-story building with a flat roof, and bare cinder block was visible in places. Strips of cracked paint wrinkled away from the walls, like insects clinging to a nest. Water stains formed brown abstract paintings between the store windows. The windows were boarded up with warped sheets of particleboard. I was struck by an awful thought, the kind that cannot be taken back once it escapes into the open air of consciousness: it seemed to me that this was not a place you go to live. It was a place you go to die.

As soon as the car stopped, my nose and mouth were flooded with the rancid smell of death. I had to swallow back a rush of puke that rose up into the raw soreness in the back of my throat. Only now, after all this lost time, did I realize how terribly I had misunderstood both her game and the prize for winning it.





I get out of the car and Ben is standing next to me, and Radar next to him. And I know all at once that this isn’t funny, that this hasn’t been prove-to-me-you’re-good-enough-to-hang-out-with-me. I can hear Margo that night as we drove around Orlando. I can hear her saying to me, “I don’t want some kids to find me swarmed with flies on a Saturday morning in Jefferson Park.” Not wanting to be found by some kids in Jefferson Park isn’t the same thing as not wanting to die.

There is no evidence that anyone has been here in a long time except for the smell, that sickly sour stench designed to keep the living from the dead. I tell myself she can’t smell like that, but of course she can. We all can. I hold my forearm up to my nose so I can smell sweat and skin and anything but death.

“MARGO?” Radar calls. A mockingbird perched on the rusted gutter of the building spits out two syllables in response. “MARGO!” he shouts again. Nothing. He digs a parabola into the sand with his foot and sighs. “Shit.”

Standing before this building, I learn something about fear. I learn that it is not the idle fantasies of someone who maybe wants something important to happen to him, even if the important thing is horrible. It is not the disgust of seeing a dead stranger, and not the breathlessness of hearing a shotgun pumped outside of Becca Arrington’s house. This cannot be addressed by breathing exercises. This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl out onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.

The smell leaves me seized by desperate panic—panic not like my lungs are out of air, but like the atmosphere itself is out of air. I think maybe the reason I have spent most of my life being afraid is that I have been trying to prepare myself, to train my body for the real fear when it comes. But I am not prepared.

“Bro, we should leave,” Ben says. “We should call the cops or something.” We have not looked at each other yet. We are all still looking at this building, this long-abandoned building that cannot possibly hold anything but corpses.