Paper Towns(12)

“In through the nose out through the mouth,” I answered her.

“All your little anxieties. It’s just so . . .”

“Cute?”

“Is that what they’re calling childish these days?” She smiled.

Margo crawled into the backseat and came back with a purse. How much shit did she put back there? I thought. She opened up the purse and pulled out a full bottle of nail polish so darkly red it was almost black. “While you calm down, I’m going to paint my nails,” she said, smiling up at me through her bangs. “You just take your time.”

And so we sat there, she with her nail polish balanced on the dash, and me with a shaky finger on the pulse of myself. It was a good color of nail polish, and Margo had nice fingers, thinner and bonier than the rest of her, which was all curves and soft edges. She had the kind of fingers you want to interlace with your own. I remembered them against my hip bone in Wal-Mart, which felt like days ago. My heartbeat slowed. And I tried to tell myself: Margo’s right. There’s nothing out here to be afraid of, not in this little city on this quiet night.





5.



“Part Six,” Margo said once we were driving again. She was waving her fingernails through the air, almost like she was playing piano. “Leave flowers on Karin’s doorstep with apologetic note.”

“What’d you do to her?”

“Well, when she told me about Jase, I sort of shot the messenger.”

“How so?” I asked. We were pulled up to a stoplight, and some kids in a sports car next to us were revving their engine—as if I was going to race the Chrysler. When you floored it, it whimpered.

“Well, I don’t remember exactly what I called her, but it was something along the lines of ‘sniveling, repulsive, idiotic, backne-ridden, snaggletoothed, fat-assed bitch with the worst hair in Central Florida—and that’s saying something.’”

“Her hair is ridiculous,” I said.

I know. That was the only thing I said about her that was “true. When you say nasty things about people, you should never say the true ones, because you can’t really fully and honestly take those back, you know? I mean, there are highlights. And there are streaks. And then there are skunk stripes.”



As I drove up to Karin’s house, Margo disappeared into the way-back and returned with the bouquet of tulips. Taped to one of the flowers’ stems was a note Margo’d folded to look like an envelope. She handed me the bouquet once I stopped, and I sprinted down a sidewalk, placed the flowers on Karin’s doorstep, and sprinted back.

“Part Seven,” she said as soon as I was back in the minivan. “Leave a fish for the lovely Mr. Worthington.”

“I suspect he won’t be home yet,” I said, just the slightest hint of pity in my voice.

“I hope the cops find him barefoot, frenzied, and naked in some roadside ditch a week from now,” Margo answered dispassionately.

“Remind me never to cross Margo Roth Spiegelman,” I mumbled, and Margo laughed.

“Seriously,” she said. “We bring the fucking rain down on our enemies.”

“Your enemies,” I corrected.

“We’ll see,” she answered quickly, and then perked up and said, “Oh, hey, I’ll handle this one. The thing about Jason’s house is they have this crazy good security system. And we can’t have another panic attack.”

“Um,” I said.



Jason lived just down the road from Karin, in this uber-rich subdivision called Casavilla. All the houses in Casavilla are Spanish-style with the red-tile roofs and everything, only they weren’t built by the Spanish. They were built by Jason’s dad, who is one of the richest land developers in Florida. “Big, ugly homes for big, ugly people,” I told Margo as we pulled into Casavilla.

“No shit. If I ever end up being the kind of person who has one kid and seven bedrooms, do me a favor and shoot me.”

We pulled up in front of Jase’s house, an architectural monstrosity that looked generally like an oversize Spanish hacienda except for three thick Doric columns going up to the roof. Margo grabbed the second catfish from the backseat, uncapped a pen with her teeth, and scrawled in handwriting that didn’t look much like hers:

MS’s love For you: it Sleeps With the Fishes “Listen, keep the car on,” she said. She put Jase’s WPHS baseball hat on backward.

“Okay,” I said.

“Keep it in drive,” she said.

“Okay,” I said, and felt my pulse rising. In through the nose, out through the mouth. In through the nose, out through the mouth. Catfish and spray paint in hand, Margo threw the door open, jogged across the Worthingtons’ expansive front lawn, and then hid behind an oak tree. She waved at me through the darkness, and I waved back, and then she took a dramatically deep breath, puffed her cheeks out, turned, and ran.

She’d only taken one stride when the house lit up like a municipal Christmas tree, and a siren started blaring. I briefly contemplated abandoning Margo to her fate, but just kept breathing in through the nose and out through the mouth as she ran toward the house. She heaved the fish through a window, but the sirens were so loud I could barely even hear the glass breaking. And then, just because she’s Margo Roth Spiegelman, she took a moment to carefully spray-paint a lovely M on the part of the window that wasn’t shattered. Then she was running all out toward the car, and I had a foot on the accelerator and a foot on the brake, and the Chrysler felt at that moment like a Thoroughbred racehorse. Margo ran so fast her hat blew off behind her, and then she jumped into the car, and we were gone before she even got the door closed.