My Last Continent: A Novel(69)
“I saved two people,” he says.
“Okay,” I tell him. “Okay.”
As we head back to the Cormorant, I cast another glance behind me, at the devastation I’m leaving behind. I prod the Zodiac through the ice, thinking about my last conversation with Keller, how we’d been disconnected. I wonder when the phone had cut out, whether he’d heard me tell him I’m pregnant. I wish I’d been able to call him back to make sure he knew. And now, I hope I’ll get a second chance.
TWENTY YEARS BEFORE SHIPWRECK
Columbia, Missouri
A few blocks away from my dorm I meet the volunteer, right where she said she’d be. Before we come into view of the clinic, I hear the voices of the protestors, and as we approach, I keep my eyes downward, avoiding their signs, the photos of fetuses, the huge letters spelling their outrage over what I’m about to do. The volunteer guides me past them, talking softly the whole time, helping me shut out their voices.
Inside, I complete the paperwork, and when I get on the scale on my way to an exam room, I’m surprised to learn I’ve lost eight pounds, the opposite of what I’d expected. They give me a pregnancy test, and when they do the ultrasound they ask if I want to see it. I say no.
They explain the procedure in more detail than I need or want, and then I put my clothes in a locker and change into a gown. They can’t give me anything other than local anesthesia and ibuprofen because I don’t have a ride home. I haven’t told anyone.
I put my feet in the stirrups and close my eyes. Even when I feel the pressure, the cramping, I tell myself it’s no different than a pelvic exam, a regular checkup, only this one will last a bit longer. I try not to think of the signs I’ve seen on Interstate 70: SMILE—YOUR MOTHER CHOSE LIFE and ABORTION CAUSES CANCER. I try to clear my head, but I end up thinking of Pam, of how, if I’d taken my job more seriously, devoted myself more fully to the work, maybe I wouldn’t be here at all.
After returning from Rocheport, I’d planted myself in her office, apologized, and sworn I’d never miss another day of fieldwork again. She’d waved it off, but I still felt guilty, as though I’d let her down. After that, I showed up early for class and fieldwork and submitted everything she needed ahead of the due dates, as if to make it up to her. I’m not sure she noticed, or cared, but it made me feel better.
As I lie on the exam room table, unable to avoid the sounds—the movements of the physician and her assistant, the clanking of their instruments against the metal table, the suction of the aspiration machine—I try to pinpoint exactly when it happened, when this cluster of cells being removed from my body first started growing. It had to be right before Chad and I ended, if not our very last time together, and this feels like the cruelest part of all.
I think it was the night we were in the darkroom, developing film and printing photos for our next assignment: a portrait. It was late on a Saturday night, and we were alone, just the two of us under the crimson light, amid the sound of water trickling.
It wasn’t long after Rocheport that I sensed Chad withdrawing from me—he was always busy with classes and reporting, and he no longer invited me to events. I began to mirror his behavior, to convince myself we were on the same page. We still saw each other in class, still ended up in bed at his apartment from time to time, and we began fitting each other into our schedules rather than the other way around. Once, I’d tried to talk to him about it, lightly: I thought we were going to be ongoing. Present perfect, remember? He’d looked at me and said, Present tense and future tense aren’t the same thing.
As Chad slipped a print into the developer, I glanced over at him and realized it had been a couple of weeks since we’d been together. Under the warm red wash of the safelight, I felt a sudden pull, the familiar, weak-kneed feeling I got around Chad. I waited until I couldn’t stand it a second more.
I moved closer, behind him, reaching around to his chest, his stomach, which tightened under my hands, and then I reached lower, and he abandoned his photo in the developer and turned around. He pressed me back into one of the enlarger booths, lifting me up so that I was propped against the counter, and I could hear the enlarger, heavy as it was, rattling behind me as we banged against it.
It wasn’t until just after that I realized I hadn’t even thought about a condom, and neither had he. But we were careful most of the time, and I shrugged it off even though I knew too much biology to have been so careless, so cavalier. We were breathing as though we’d just run ten miles, flushed and sated as we found and handed each other the items of clothing we’d strewn across the painted black floor.
Chad returned to the tray of developer, where his photo had turned black. He tossed it out and started again. My portrait already done, I hovered around in a sort of afterglow; I had nowhere else to be.
Chad had spent the day out at Eagle Bluffs, a conservation area of mostly forest and wetland that, because this was Missouri, was better known for its fishing and hunting than for birding and wildlife. His portrait was of a weathered old fisher-man, and it was exquisite. Chad had captured the man’s features, his concentration; he’d caught the history of the man’s face in perfect light, shadow, and depth.
It was because I’d recommitted to my work with Pam that I’d chosen her for my portrait. She was among a minority of women on the science faculty at Mizzou, and I thought it would make a nice piece for my portfolio. I’d photographed her in the lab, whipping out my camera with the sole intention of getting the task done, not thinking about the light, the angle, or of taking a variety of shots. When the image first emerged in the developer, I liked what I saw—Dr. Pam Harrison in her white lab coat, bent over a microscope, a wisp of dark hair falling from behind her ear, eye wide open at the eyepiece. But later, when I saw Chad’s portrait, I glanced over at mine, already hung to dry, and saw that it looked flat, emotionless, static. Most of all, it seemed to be a symbol of everything I had in store for myself: a dull, colorless life of feathers and data and little else.