My Hunger (Inside Out #3.4)(15)

“There was a detective at the gallery. I was flustered when we hung up, and he told me I could find you here.”

The detective. I should have known. “I told you to wait at my house.”

“I know, but I couldn’t wait. My father’s pilot needs to know within the hour if I’m using him tonight or in the morning. He takes contract jobs, and he has one he’ll cancel for us.”

My anger is instant, but not directed at her. Sending her here is a message from the detective, punishment for my attorney’s refusing to allow me to meet with Ava. And a promise he will make my life hell if I don’t cooperate. I wouldn’t be surprised if he created whatever emergency that seems to have Crystal chartering private planes and jumping through hoops to see me. He knows she works with my family, and I’m sure he assumes I don’t want my parents to know about this place.

Well, the detective has underestimated me. I do not take punishment lightly, and I won’t be manipulated. I’m calling his bluff.

I’m finding out now if Crystal can hang tough, no matter what the next few months throw at her. I just hope my parents don’t have to try.

“Mark,” Crystal says, and her fingers curl on my jaw, drawing my attention.

Aware of us being watched, I reach for her hand, pulling it between us, and I fight the sweet sensation of her touch, when I never ever let anyone touch me. “Do you know what this place is?”

“He said it was part of your offices.”

“No. It’s not. We’re going inside and you are not to look at anyone, talk to anyone, or do anything unless I say you do it. I own you when you’re here, no matter how much you might not like it. Understood?”

“No, I—”

“This is not a place where you disobey me. This isn’t about your job. You are not my employee here. So you follow the rules, or you can get back in your car and I’ll meet you at my house.”

Understanding seeps into her eyes and her chin lifts. “I’m staying.”

“Then I own you while you’re here. Say it.”

“No, I—”

“Say it, Ms. Smith.”

“You own me when I’m here—and only when I’m here.”

There is no sense of reward from her words; she doesn’t belong here. “I’ll take that answer.” I start to release her, to have her walk by my side untouched, as I would any other guest, but an unwelcome possessiveness overcomes me, followed by an intense need to protect her.

She doesn’t belong here. Rebecca didn’t belong here. The truth of those words cuts deeply and I lace my fingers with Crystal’s, aware of the intimacy of the act and how out of character it is for me. Everyone else will know this as well, but this isn’t about me the Master. It’s about Crystal, whom I fully intend to protect—even if that means scaring her out of my family’s life.

We start up the steps and I can’t help but notice her jacket covers a conservative black dress that she’s paired with basic black pumps. It appears that she’s dressed for work and left there quickly to get to me. The burning question is why? What happened to bring her here?

Approaching the guard, I softly remind her, “Eyes down.”

“Yes, Master,” she growls, and I wonder if this is an ironic joke or her way of telling me she knows more than she’s let on. Either way, she does as I say.

Inside the foyer, her head lifts, and I allow her a moment to take in the elegant decor and the expensive artwork; the conservative fa?ade is part of the experience of taking part in the arousing and shocking erotic deeds that happen here. I need her to understand this place, to bolt now if she is going to, before the police can shock or sway her opinions and actions.

Her gaze tilts upward and she studies the spectacular glass chandelier over our heads, and I study the creamy expanse of her naked throat, where my mouth has been, where it could be again, and I remember just how luxurious her naked body had been. Then I motion her toward the dramatic winding stairwell that is very Gone with the Wind by intention.

We climb the steps, our destination my private chambers. While it’s not the place I prefer to take her, not with the memories I have, it’s where she will understand who I am. We stop at the final door, where I key in a code again, and motion for her to enter. She swallows hard, her eyes meeting mine, trepidation in their depths, before she steps forward.

I follow her inside and lock the door, giving her a moment to take in the massive four-poster bed in center of the room, the sheer curtains leading to several “play” rooms. She walks toward the bed and turns to the monitor that takes up most of the wall to the left, with a half dozen smaller screens above and below it.

She turns to me. “This isn’t a gallery.”

“No,” I say, closing the distance between us. “It’s not a gallery. It’s a very exclusive club.”

“A sex club.”

“Yes.”

“And you’re a member?”

“I’m the owner. The head Master.” And now is the time to show her what is on the huge monitors lining the wall, to show her the public floggings, group sex, bondage. But I don’t move. “Have you ever been in a BDSM club?”

“No. I haven’t.”

The answer defines where we will go, which is nowhere. “And I assume the detective hoped that would be the way I’d want to keep it, therefore I’d do what he wanted me to do.”