Jilo (Witching Savannah #4)(25)
The car came to a smooth stop, and a moment later the doors opened. Sterling removed the key and grabbed hold of the handles of his father’s wheelchair, easing him over the space between the elevator carriage and the floor. When May didn’t move, Sterling looked back at her. “Come,” he said.
She stepped out of the car and into a hallway that seemed to run close to the full length of the hotel above. Lights shone down from overhead, but rather than filling the length of the hall, the beams just provided dots of light in the surrounding gloom. The walls, floor, and ceiling appeared to be made of the same concrete—uniformly gray, but polished so that it gave off a sheen in those places where light reached it.
May watched in silence as Sterling inserted that key of his into a panel on the wall and turned it right. The doors of the elevator closed of their own accord, and May heard a hum as cables lifted it up, returning it, she assumed, to the hotel’s main floor.
The hall was bereft of any sound other than the squeaking wheels of the elder Maguire’s chair along the stone floor, syncopated by the tapping of his son’s leather-soled shoes following behind. If May’s tread made any noise, it was drowned out by the beating of her heart.
Each spot of light gave way to shadow, and in those dim places in between, May sensed a presence, reaching out from the emptiness of the hall, craving the light she carried in herself, or perhaps only yearning to blot it out. Feeling something brush up against her, she quickened her pace so that she could follow the Maguires in a tighter pack. Then, repulsed by their nearness, she lied to herself, trying to dupe herself into believing there was nothing lurking in the shadows, that she’d disturbed a cobweb and nothing more. She allowed herself to drift back once again, but this time something small and furry ran across her feet, brushing up against her ankle. She felt the tickle of unseen fingers along her forearm. An invisible hand grasped her wrist. She gasped and pulled away, rushing into the next circle of light. Sterling looked back over his shoulder at her. His smile lifted only one side of his mouth, and there was a gleam of dark joy in his eyes. Her fear amused him. She was left in a dance of gooseflesh and queasiness; left to choose between the devils she knew and the ones that traveled unseen.
Sterling stopped his father’s chair before a red door dominated by a brass knocker in the shape of a grimacing, bearded face. Though May would be happy to be out of the long hall, she found herself wondering what horrors might lay behind the incongruous door. Sterling grasped the bottom of the beard and knocked three times before reaching down and turning the oversized doorknob.
“You’ll want to enter backward, my girl,” Maguire called out to her, “or you might not like what you see. I do have a wee bit of magic left to me despite your mama’s best efforts.” Sterling opened the door wide, then gripped the handles of his father’s chair and backed it into the room. She hesitated, not wanting to turn her back on the men, but she didn’t see as she rightly had any choice. Grasping hold of the door frame, she stepped backward over the threshold. As soon as she cleared it, she turned to face the interior—it was a large room, bigger even than the hotel’s grand ballroom, but still, as far as her eye could tell, a perfectly normal room.
Six square pillars, constructed of the same buffed concrete as the hall, were spaced evenly around the room. The walls were also concrete, but two were covered in murals wrought by a hand that had brought a nearly photographic quality to them. Their coloring was far more natural than any of the painted photographs May had ever seen. One featured a pine forest that looked natural enough to walk into, and the other, a long stretch of beach, buffeted by blue sky overhead and what looked to be miles of white sand stretching off in the distance. A third wall remained blank gray concrete, and the fourth was painted white with what appeared to be the early stages of a sketch of a pasture with tall mountains.
Unlike the sparsely lit hall, this room was as bright as midday. May’s eyes drifted upward to find the source of the light, surprised to see that the ceiling overhead appeared to be a blue summer sky. The light itself was projected by a single golden source in the center of the room that, for all the world, May would have sworn was the sun itself. It astounded her to think she had worked at the Pinnacle for years without knowing this subterranean room existed.
May felt the weight of the men’s eyes on her. She turned to face them. “What is this place?”
Maguire’s face beamed with joy, his eyes widening and a genuine smile rising to his lips. “It’s a work in progress, is what it is.” He slapped the side of his chair and waved his hand forward, signaling for his son to push him closer to May. “But when it’s finished,” he said, “it will serve as sanctuary, a refuge . . .” He held up his hand to tell Sterling he should stop. “A shelter.” He raised both hands and gestured around the chamber. “When the big boy drops,” he said, “and I assure you he will, this will be the place to be.”
May shook her head. “I don’t understand.”
“No,” Maguire said, then laughed. “You wouldn’t. But take my word for it. There are greater waves washing over this world than anything you or your mama could’ve ever kicked up. And I intend to ride that wave, May, but I need you to set me right before I can do that.”
May felt a chill and pulled her arms around herself. “I done told you, I don’t know what you want from me. Even if I had magic . . .”