Hillbilly Elegy: A Memoir of a Family and Culture in Crisis(64)

I thought a lot about myself, about the emotional triggers I’d learned over eighteen years of living at home. I realized that I mistrusted apologies, as they were often used to convince you to lower your guard. It was an “I’m sorry” that convinced me to take that fateful car ride with Mom more than a decade earlier. And I began to understand why I used words as weapons: That’s what everyone around me did; I did it to survive. Disagreements were war, and you played to win the game.

I didn’t unlearn these lessons overnight. I continue to struggle with conflict, to fight the statistical odds that sometimes seem to bear down on me. Sometimes it’s easier knowing that the statistics suggest I should be in jail or fathering my fourth illegitimate child. And sometimes it’s harder—conflict and family breakdown seem like the destiny I can’t possibly escape. In my worst moments, I convince myself that there is no exit, and no matter how much I fight old demons, they are as much an inheritance as my blue eyes and brown hair. The sad fact is that I couldn’t do it without Usha. Even at my best, I’m a delayed explosion—I can be defused, but only with skill and precision. It’s not just that I’ve learned to control myself but that Usha has learned how to manage me. Put two of me in the same home and you have a positively radioactive situation. It’s no surprise that every single person in my family who has built a successful home—Aunt Wee, Lindsay, my cousin Gail—married someone from outside our little culture.

This realization shattered the narrative I told about my life. In my own head, I was better than my past. I was strong. I left town as soon as I could, served my country in the Marines, excelled at Ohio State, and made it to the country’s top law school. I had no demons, no character flaws, no problems. But that just wasn’t true. The things I wanted most in the entire world—a happy partner and a happy home—required constant mental focus. My self-image was bitterness masquerading as arrogance. A few weeks into my second year of law school, I hadn’t spoken to Mom in many months, longer than at any point in my life. I realized that of all the emotions I felt toward my mother—love, pity, forgiveness, anger, hatred, and dozens of others—I had never tried sympathy. I had never tried to understand my mom. At my most empathetic, I figured she suffered from some terrible genetic defect, and I hoped I hadn’t inherited it. As I increasingly saw Mom’s behavior in myself, I tried to understand her.

Uncle Jimmy told me that, long ago, he’d walked in on a discussion between Mamaw and Papaw. Mom had gotten herself in some trouble and they needed to bail her out. These bailouts were common, and they always came with theoretical strings attached. She had to budget, they’d tell her, and they’d put her on some arbitrary plan they’d designed themselves. The plan was the cost of their help. As they sat and discussed things, Papaw buried his head in his hands and did something Uncle Jimmy had never seen him do: He wept. “I’ve failed her,” he cried. He kept on repeating, “I’ve failed her; I’ve failed her; I’ve failed my baby girl.”

Papaw’s rare breakdown strikes at the heart of an important question for hillbillies like me: How much of our lives, good and bad, should we credit to our personal decisions, and how much is just the inheritance of our culture, our families, and our parents who have failed their children? How much is Mom’s life her own fault? Where does blame stop and sympathy begin?

All of us have opinions. Uncle Jimmy reacts viscerally to the idea that any of the blame for Mom’s choices can be laid at Papaw’s feet. “He didn’t fail her. Whatever happened to her, it’s her own damned fault.” Aunt Wee sees things in much the same way, and who can blame her? Just nineteen months younger than Mom, she saw the worst of Mamaw and Papaw and made her own share of mistakes before coming out on the other side. If she can do it, then so should Mom. Lindsay has a bit more sympathy and thinks that just as our lives left us with demons, Mom’s life must have done the same to her. But at some point, Lindsay says, you have to stop making excuses and take responsibility.

My own view is mixed. Whatever might be said about my mom’s parents’ roles in my life, their constant fighting and alcoholism must have taken its toll on her. Even when they were children, the fighting seemed to affect my aunt and mother differently. While Aunt Wee would plead with her parents to calm down, or provoke her father in order to take the heat off her mother, Mom would hide, or run away, or collapse on the floor with her hands over her ears. She didn’t handle it as well as her brother and sister. In some ways, Mom is the Vance child who lost the game of statistics. If anything, my family is probably lucky that only one of them lost that game.

What I do know is that Mom is no villain. She loves Lindsay and me. She tried desperately to be a good mother. Sometimes she succeeded; sometimes she didn’t. She tried to find happiness in love and work, but she listened too much to the wrong voice in her head. But Mom deserves much of the blame. No person’s childhood gives him or her a perpetual moral get-out-of-jail-free card—not Lindsay, not Aunt Wee, not me, and not Mom.

Throughout my life, no one could inspire such intense emotions as my mom, not even Mamaw. When I was a kid, I loved her so much that when a kindergarten classmate made fun of her umbrella, I punched him in the face. When I watched her succumb again and again to addiction, I hated her and wished sometimes that she would take enough narcotics to rid me and Lindsay of her for good. When she lay sobbing in bed after another failed relationship, I felt a rage that could have driven me to kill.