Final Debt (Indebted #6)(84)



I didn’t have a choice, but the preferable ending had been selected.

My skin broke out with clammy nervousness as Cut stalked me down the main artery of the house, past rooms I’d relaxed in, nooks I’d taken refuge in, libraries I’d napped in. Turning left, we bumped into a Black Diamond brother.

His leather jacket creaked as he slammed to a halt. “Cut.”

Cut yanked me closer. “Are the final touches complete?”

The brother nodded, his shaved head and mix-matched tattoos absorbing the darkness of his attire. “Yes. All ready to go, as per your instructions.”

Cut sniffed, his fingers tightening around mine. “Good. I have another task for you. My mother is dead. Take her body to the crypt below the Hall. I’ll deal with her remains once my afternoon is finished.”

The brother nodded obediently, unable to hide his sudden shock and curiosity hearing about Bonnie. “Okay…”

Cut stomped onward, then stopped. “One other thing. Get Jasmine. I want her there. And the rest of the brotherhood.”

The man frowned but nodded again. “Right you are.”

He took off the way we’d come, jogging with purpose.

I squirmed in Cut’s hold, wishing he hadn’t thrown his gun away upstairs. If the weapon were still lodged in his waistband, I could’ve commandeered it and shot him point blank. There was no need to be secretive any longer. No need to hide my true intentions.

He’s my last victim.

“Where are you taking me?” I skip-trotted to keep up, gritting my teeth against my pain.

Cut smiled, his golden eyes blank and cruel. “The ballroom.”

Chills darted down my spine.

Ballroom.

Instead of conjuring images of finery, sweeping drapes, and sparkling dancers, I pictured a mausoleum, a morgue…the last area I would ever see.

Jethro had said a debt would be repaid in the ballroom.

Despite my courage in Bonnie’s quarters, fear engulfed me now.

Debt.

The last debt…

My heels dug into floor runners, creasing ancient rugs. Cut merely dragged harder, never slowing his pace.

Hawksridge seemed to exhale around us, the portraits and tapestries darkening as Cut dragged me down yet more ancient corridors. Moving toward large double doors in the same wing as the dining room, he stopped briefly before another Black Diamond brother opened the impressive entrance.

My eyes drank in the inscriptions and carvings on the doors, of hawks and mottos and the family crest of the man who was about to kill me in cold blood.

I’d walked past the doors countless times and never stopped to jiggle the handle—almost as if it’d kept itself secret until this moment—camouflaging itself to remain unseen until the Final Debt.

Cut clenched his jaw as the large entry groaned open, heavy on their hinges and weary with what they contained.

Once open, Cut threw me inside. Letting go of my hand, he grabbed a fistful of short hair, marching me to the centre of the room.

The chasmal space was exquisite. Crystals and candlesticks and chandeliers. Needlepoint and brocade and craftsmanship. Money echoed in every corner, shoving away dust motes and proving that glittering gold was immune to tarnish and age.

The gorgeous dance floor competed with the tapestry-covered walls and hand-stitched curtains, yet it wasn’t overshadowed. The glossy wood created the motif of the Hawk crest inlaid with oak, cherry, and ash.

The black velvet curtains gleamed with diamonds sewn into the fabric, and everywhere I looked, the emblem of my capturers gilded wall panels and ceiling architraves.

There was no denying who this room belonged to, nor the wealth it had taken to acquire it.

“Like what you see, Weaver?” Cut never stopped as we stormed toward something large and covered by black sheeting in the middle of the empty expanse.

There were no chairs or banquet tables. Only acres of flooring with no one to dance. Loneliness and echoing eeriness swirled like invisible threads, tainting what would happen with its chequered history.

There’d been good times and bad in this place. Wine spilled with laughter and blood shed with tears.

Goosebumps darted over my flesh, almost as if I stepped through the time-veil. Able to see previous generations dancing, hear their lilting voices on the air.

And then I saw them.

Cut grunted as I slammed to a stop, zeroing in on the portraits he’d told me about in Africa.

The Hawk women.

Unlike the dining room with its over-crowded walls of men in white wigs, chalky faces, and gruffly stern expressions, the Hawk women bestowed the ballroom with class.

Their faces held colour of pink cheeks and red lips. Their hair artfully coiled and curled. And their dresses tumbled through the artist’s brush-strokes, almost as if they were real.

Cut let me look. “Beautiful, aren’t they?”

I didn’t reply. I couldn’t. I was overwhelmed with antiquity and yesteryear.

He let me survey his family’s history while I searched for the portrait that’d caught my eye. I needed to look upon the woman who started it all.

I can’t find her.

Bonnie.

She found me first.

Her painting hung vibrantly, royally. She’d posed with a white poodle and an armful of lilies. Her face unlined and youthful vitality hinting at a woman of early forties rather than the ancient ninety-one-year old who’d just perished.

Pepper Winters's Books