Evermore (The Immortals #1)(15)
Apparently Damen modeled for a short time, back when he lived in New York, which is why his image is out there, floating around cyberspace, just waiting for someone to download and claim that it's them.
And even though we passed it around and had a good solid laugh at the whole weird coincidence, there's still one thing I can't quite get past: If Damen just moved here from New Mexico and not New York, well, doesn't it seem like he should've looked a little bit younger in that picture? Because I can't think of anyone who looks exactly the same at seventeen as they did at fourteen, or even fifteen, and yet, that thumbnail on Miles's Sidekick showed Damen looking exactly the same as he does right now. And it just doesn't make any sense.
When I get to art, I beeline for the supply closet, grab all my stuff, and head for my easel, refusing to react when I notice how Damen is set up right next to mine. I just take a deep breath and go about the business of buttoning my smock and selecting a brush, stealing the occasional glance at his canvas and trying not to gawk at his masterpiece in the making—a seriously perfect rendition of Picasso's Woman with Yellow Hair.
Our assignment is to emulate one of the great masters, to choose one of those iconic paintings and attempt to recreate it. And somehow I got the idea that those simple Van Gogh swirls would be a sure thing, a cinch to reproduce, an easy A. But from the looks of my chaotic, hectic strokes, I completely misjudged it. And now it's so far gone, I can't possibly save it. And I've no idea what to do.
Ever since I became psychic, I'm no longer required to study. I'm not even required to read. All I have to do is place my hands on a book, and the story appears in my head. And as far as tests go? Well, let's just say there's no more "pop" in the quiz. I just brush my fingers over the questions and the answers are instantly revealed. But art is totally different. Because talent cannot be faked. Which is why my painting is pretty much the exact opposite of Damen's.
"Starry Night?" Damen asks, nodding at my drippy, pathetic, blue mottled canvas, as I cringe in embarrassment, wondering how he could've made such an accurate guess from such a poorly realized mess. Then just to torture myself even further, I take another glance at his effortless, curving brushstrokes, and add it to the never-ending list of things he's amazingly good at.
Seriously, like in English, he can answer all of Mr. Robins questions, which is kind of weird since he only had one night to skim all three hundred and some odd pages of Wuthering Heights. Not to mention how he usually goes on to include all manner of random historical facts, talking about those long-ago days as though he was actually there. He's ambidextrous too, which might not sound like all that big a deal, until you watch him write with one hand and paint with the other, with neither project seeming to suffer. And don't even get me started on the spontaneous tulips and magic pen.
"Just like Pablo himself. Wonderful!" Ms. Machado says, smoothing her long glossy braid as she stares at his canvas, her aura vibrating a beautiful cobalt blue, as her mind performs cartwheels and somersaults, jumping in glee, racing through her mental roster of talented former students, realizing she's never had one with such innate, natural ability—until now;
"And Ever?" On the outside she's still smiling, but inside she's thinking: What on earth could it possibly be?
"Oh, um, it's supposed to be Van Gogh. You know, Starry Night?" I cringe in shame, my worst suspicions confirmed by her thoughts.
"Well—it's an honorable start." She nods, struggling to keep her face neutral, relaxed. ' Van Gogh's style is much more difficult than it seems. Just don't forget the golds, and the yellows! It is a starry, starry night after all!"
I watch her walk away, her aura expanding and glowing, knowing she dislikes my painting, but appreciating her effort to hide it. Then without even thinking, I dip my brush in yellow, before wiping off the blue, and when I press it to my canvas it leaves a big blob of green.
"How do you do it?" I ask, shaking my head in frustration, gazing from Damen's amazingly good painting to my amazingly bad one, comparing, contrasting, and feeling my confidence plummet.
He smiles, his eyes finding mine. "Who do you think taught Picasso?" he says.
I drop my brush to the floor, sending mushy globs of green paint splattering across my shoes, my smock, and my face, holding my breath as he leans down to retrieve it, before placing it back in my hand.
"Everyone has to start somewhere," he says, his eyes dark and smoldering, his fingers seeking the scar on my face. The one on my forehead. The one that's hidden under my bangs. The one he has no way of knowing about. "Even Picasso had a teacher." He smiles, withdrawing his hand and the warmth that came with it, returning to his painting, as I remind myself to breathe.
Chapter Ten
The next morning as I'm getting ready for school, I make the mistake of asking Riley's help in choosing a sweatshirt.
"What do you think?" I hold up a blue one, before replacing it with a green.
"Do the pink one again," she says, perched on my dresser, head cocked to the side as she considers the options.
"There is no pink one." I scowl, wishing she could just be serious for a change, stop making everything into such a big game. "Come on, help me out, clock's ticking."
She rubs her chin and squints. "Would you say that's more of a cerulean blue or a cornflower blue?"