Empire Games Series, Book 1(5)
“You. Step this way, please.”
For a moment Rita couldn’t believe her ears. She’d been so focused on Deborah that she hadn’t noticed the DHS guy pause on the other side of the barrier. Now he was looking at her. “Me?” she squeaked.
“Yes, you. Step this way.” He didn’t say “please” twice. The DHS might have hired Disney to train their staff in better people-handling skills but he was still a fed, with or without the smiling mask.
The cop directed her to a desk beside the checkpoint, at the front of the queue where a couple more DHS officers were hanging out. Some of them were armed with electric-blue pump-action shotguns: crowd control tasers. Her stomach lurched when she saw them.
“ID card goes here,” said the guy at the desk. He sounded so bored he could have been stoned. She handed the credit card–sized rectangle over and he ran it through the reader. “Okaaay, this is a cheek swab. You’ve done this before, right?” Blue-gloved hands extended a plastic test stick toward her. “Open wide. This won’t take long.”
Rita opened her mouth, let the cop collect a saliva sample and lock it into the tablet on the desk in front of him. “Please sit here.” He pointed at a plastic chair. “This will take a couple of minutes to develop.” Rita gathered the skirts of her sari and sat carefully. No zip-ties, she realized: That’s a good sign. Means it’s just a random check. Nevertheless, they were running a full genome sequence from the sample they’d just taken, comparing it against her record in the national database. Even with the newest nanopore scanners, it would take ten minutes. They couldn’t do it to everyone: they’d be here all day. Why me? she wondered. Well yeah, the usual: skin color. Mom and Dad might be of Eurasian descent, but one of Rita’s birth parents had apparently been Indian.
It had been bad in second grade, right after 9/11, but when the White House was nuked, the post-7/16 paranoia had taken things to the next level. The government had announced that the attack came from a terrifying new direction, hostile forces that inhabited another parallel version of our Earth. So that made any stranger a suspect, as anyone could be a secret “world-walker,” able to slip between universes and visit from a time line whose history had diverged long ago. Then, as if that wasn’t bad enough, there’d been the India/Pakistan nuclear war. From which point on, the US had become increasingly difficult for people who looked like her.
The machine on the desk beeped for attention and the DHS officer peered at it. For a moment she thought he was doing a double take; then he smirked. “Okay, you’re good to go. You have a nice day now, Miss Douglas. You can go right in.”
“Thank you,” she managed, heartbeat fluttering for a light-headed moment. The National Identity Database would have reported back, No criminal history. Because Rita was a good girl, and keeping her head down was an ingrained habit. And good girls tried not to get the post-7/16 national security apparatus mad at them, didn’t they? She faked a smile for the cop, then scurried hastily in the direction indicated, into the bowels of the bustling conference center, enormously relieved to be out from under the microscope. Behind her, Debs was staring daggers from the middle of the slowly shuffling line. As if she had anything to worry about …
*
HaptoTech was a Cambridge-based biomechanics start-up. Rita was a Boston native in her mid-twenties with a major in history, a minor in acting, an aptitude for interpretative dance, and no union card. This made her a decent fit for demoing HaptoTech’s newest motion capture implants at trade shows targeting the film, TV, and games production industries, although she drew the line at their more adult-themed customers. She needed the money, but not that badly: at least not yet.
It wasn’t a new field—MoCap had been around since the ’90s—but HaptoTech had a new angle: accurate to fractional millimeters, its subdermal implants could capture actors’ pulse, respiration, and sweat. All stuff that fed into that difficult skin texture model, making for a more realistic simulation. Rita, Deborah, and Julie spent the day being filmed as they acted out twenty-minute vignettes, with the results animated in real time and projected live onto a big screen. A brace of servers turned their motion capture streams into mythological monsters, animals, and famous dead film stars. Rita’s angle was her arms: she had two of them in real life, but six of them—realistically rendered—in her role on screen as the goddess Parvati, played by the immortal (and long-dead) Bollywood star Madhubala.
By the end of day 1 her script had become almost second nature; now she barely noticed the spectators. They weren’t looking at her, anyway: they were watching the dead goddess on the screen. When they did look at her she made a point of avoiding eye contact. It was hot, boring work, and the implants itched abominably. Food was on the company, a pile of breakfast rolls served beside Folgers coffee. By five o’clock on Friday Rita was burned out. Deborah and Julie were phoning it in too, their smiles fixed, limbs shaky with tiredness. The hourly rate was great, and working for an East Coast start-up as a bluescreen babe was far better than any acting job she could aspire to—not that anyone except an already established star could make money in acting anymore. But it was a career dead end, working on stage for six hours a day was draining, and the prospects for HaptoTech keeping her on did not seem good: so she was already worrying about what she’d do next.
Stepping off stage after her 5 p.m. act—trying not to trip on her hem or lose track of the end of her sari—Rita nearly ran into Clive. HaptoTech’s VP of marketing was conventionally handsome in a rugged country-club way, with a five-thousand-dollar smile and an open-collared shirt under his linen suit. He smiled at her affably: “Rita, if you’ve got a moment, please? We need to talk in private.”