Deadly Fear (Deadly #1)(106)

One of the wonderful things about writing a series is that when the book ends, it isn’t the end of the characters. They get to continue their journeys, albeit on the back burner, in future stories, and happily that means that I get to spend more time with characters like DARK DECEPTIONS’s Nash and Annie and DARK DESIRES’s Drake and Madeline.

And sometimes—because, after all, it’s my world—I get to reintroduce someone from a previous book, someone I really hated saying good-bye to. Enter Harrison Blake. Harrison first appeared in my Last Chance series, and to date, he’s gotten more mail than any other character I’ve ever written. So it’s with great pleasure that I called on him to help Owen out in DESPERATE DEEDS. And I’ve got a feeling we haven’t seen the last of him.

For more insight into Tyler and her romance with Owen, here are some songs I listened to while writing DESPERATE DEEDS:

“Blurry”—Puddle of Mudd

“Mad World”—Adam Lambert

“Kissed by a Rose”—Seal

I hope you’re enjoying the A-Tac series. For more on the books and me, check out www.deedavis.com.

Happy Reading!



From the desk of Kira Morgan


Dear Reader,



I’ve heard that in order to write a good book, you have to take your perfectly nice characters and torture them mercilessly. Well, I’m afraid to tell you that’s exactly what I’ve done to my poor heroine in CAPTURED BY DESIRE.

Florie Gilder is a 16th-century Scottish goldsmith’s daughter with a mind of her own, a strong will, and a bright future. So what do I do with her? I confront her with an unfortunate misunderstanding, which deteriorates into a disastrous altercation, followed by a tragic accident that renders her utterly helpless. Worse, I thrust her into the path of Rane McAllister, a charming, assertive lady-killer of a huntsman who is used to getting his way, and then I leave her in his overbearing hands.

All her life, Florie has fought for respectability among her peers in the goldsmith’s guild, but with a wicked twist of my pen, I upset her world and drag her down to the level of a common criminal, forcing her to claw her way back up. Knowing Florie prides herself on her independence, I strip that away from her too, leaving her completely reliant on a stranger.

Since Florie hates to be touched, Rane touches her all the time. Because she’s accustomed to dining on roast capon, sweetmeats, and fine wine, Rane brings her coarse bread, hard cheese, and rough ale. Florie prefers velvet, and Rane dresses her in wool.

But I don’t stop there.

Florie prefers to be alone, so naturally the hero is with her constantly. She doesn’t like to be the center of attention, so I make a humiliating spectacle out of her. She’s terrified of the enemy English, so they’re a constant threat.

Then, when she thinks things can’t get any worse, I make Florie, who has sworn on her mother’s grave never to fall in love, fall in love.

Of course, I put a few thumbscrews to the hero, too.

Since Rane prefers compliant blondes, I throw him a spunky brunette. I obligate him to take care of Florie when he’s supposed to be providing for starving peasants. I force him to choose between his loyalty to his lord and his love for Florie.

And because Rane is pretty much the village stud, I taunt him with women he can’t have, all the while dangling the virgin Florie in front of him.

It’s a cruel game, I suppose, making my characters suffer so much. But in the end, it really does make everyone’s “happy ever after” that much happier! After all, what’s pleasure without a little pain?

Enjoy!