Dark Matter(48)

I finally stop and say, “This one?”

She shrugs. “Sure.”

Grasping the cold, metal handle, I ask, “We have the ampoules, right? Because that would be—”

“I checked the pack when we stopped a minute ago.”

I crank the lever down, hear the latch bolt slide, and pull back.

The door swings inward, clearing the frame.

She whispers, “What do you see out there?”

“Nothing yet. It’s too dark. Here, let me have that.” As I take the lantern from her, I notice that we’re standing in a single box again. “Look,” I say. “The corridor collapsed.”

“That surprises you?”

“Actually, it makes perfect sense. The environment outside the door is interacting with the interior of the box. It destabilized the quantum state.”

I turn back to the open door and hold the lantern out in front of me. All I can see is the ground directly ahead.

Cracked pavement.

Oil stains.

When I step down, glass crunches under my feet.

I help Amanda out, and as we venture the first few steps, the light diffuses, hits a concrete column.

A van.

A convertible.

A sedan.

It’s a parking garage.

We move up a slight incline with cars on either side of us, following the remnants of a white paint stripe that divides the left and right lanes.

The box is a ways behind us now and out of sight, tucked away in the pitch-black.

We pass a sign with an arrow pointing left beside the words—





EXIT TO STREET




Turning a corner, we begin to climb the next ramp.

All along the right side, chunks have fallen out of the ceiling and crushed the windshields, hoods, and roofs of the vehicles. The farther we go, the worse it gets, until we’re scrambling over concrete boulders and weaving around knifelike projections of rusted rebar.

Halfway up the next level, we’re stopped in our tracks by an impassable wall of debris.

“Maybe we should just go back,” I say.

“Look…” She grabs the lantern and I follow her over to a stairwell entry.

The door is cracked open, and Amanda forces it back the rest of the way.

Total darkness.

We ascend to the door at the top of the stairs.

It takes both of us to drag it open.

Wind blows through the lobby straight ahead.

There’s some semblance of ambient light coming through the empty steel frames of what used to be immense, two-story windows.

At first, I think it’s snow on the floor, but it isn’t cold.

I kneel, grasp a handful. It’s dry and a foot deep over the marble flooring. It slides through my fingers.

We trudge past a long reception desk with the name of a hotel still attached in artful block letters across the fa?ade.

At the entrance, we pass between a pair of giant planters holding trees withered down to gnarled branches and brittle leaf shards twittering in the breeze.

Amanda turns off the lantern.

We step through the glassless revolving doors.

Even though it isn’t nearly cold enough, it looks like a raging snowstorm outside.

I walk out into the street and stare up between the dark buildings at a sky tinged with the faintest suggestion of red. It glows the way a city does when the clouds are low and all the lights from the buildings are reflecting off the moisture in the sky.

But there are no lights.

Not a single one as far as I can see.

Though they fall like snow, in torrent-like curtains, the particles that strike my face carry no sting.

“It’s ash,” Amanda says.

A blizzard of ash.

Out here in the street, it’s knee-deep, and the air smells like a cold fireplace the morning after, before the ashes have been carried off.

A dead, burnt stench.

The ash is falling hard enough to obscure the upper stories of the skyscrapers, and there’s no sound but the wind blowing between the buildings and through the buildings and the whoosh of the ash as it piles into gray drifts against long-abandoned cars and buses.

I can’t believe what I’m seeing.

That I’m actually standing in a world that isn’t mine.

We walk up the middle of the street, our backs to the wind.

I can’t shake the feeling that the blackness of the skyscrapers is all wrong. They’re skeletons, nothing but ominous profiles in the pouring ash. Closer to a range of improbable mountains than anything man-made. Some are leaning, and some have toppled, and in the hardest gusts, high above us, I can hear the groan of steel framework torquing past its tensile strength.

I note a sudden tightening in the space behind my eyes.

It comes and goes in less than a second, like something turning off.

Amanda asks, “Did you just feel that too?”

“That pressure behind your eyes?”

“Exactly.”

“I did. I bet it’s the drug wearing off.”

After several blocks, the buildings end. We arrive at a guardrail that runs along the top of a seawall. The lake yawns out for miles under the radioactive sky, and it doesn’t even resemble Lake Michigan anymore, but instead a vast gray desert, the ash accumulating on the surface of the water and undulating like a waterbed as black foam waves crash against the seawall.