Along Came a Spider (Alex Cross #1)(13)
He took out preloaded one-shot needles called Tubex. This was a closed injection system that came prepackaged, complete with dose and needle. He set out two tourniquets. He had to be very careful. The exact dosage could be tricky with small children.
Next, he pulled the black Saab forward about two yards. This move exposed a five-by-four-foot plot in the floor of the barn.
He’d dug the hole during several previous visits to the deserted farm. Inside the open cavity was a homemade wooden compartment, a kind of shelter. It had its own oxygen tank supply. Everything but a color TV for watching reruns.
He placed the Goldberg boy inside the wooden compartment first. Michael Goldberg weighed next to nothing in his arms, which was exactly what he felt about him. Nothing. Then came the little princess, the little pride and joy, Maggie Rose Dunne. All the way from La-la-land originally.
He slid the Tubex needles into each child’s arm. He was extra careful to give each dose slowly, over a three-minute period.
The doses were measured by weight, .25 milligrams per kilogram of body weight. He checked the breathing of each child. Sleep tight, my multimillion-dollar babies.
Gary Soneji shut the trapdoor with a bang. Then he buried the wooden compartment under half a foot of fresh soil. Inside the deserted storage barn. In the middle of godforsaken Maryland farm country. Just like little Charlie Lindbergh, Jr., had been buried sixty years before.
No one would find them out here. Not until he wanted them found. If he wanted them found. Big if.
Gary Soneji trudged back up the dirt road to what remained of the ancient farmhouse. He wanted to wash up. He also wanted to start to enjoy this a little. He’d even brought a Watchman to see himself on TV.
CHAPTER 10
NEWS BULLETINS were flashing on the television screen every fifteen minutes or so. Gary Soneji was right there on the high and mighty tube. He saw photographs of “Mr. Chips” on every news bulletin. The news reports didn’t offer a clue about what was really going on, though.
So this was fame! This was how fame felt. He liked it a lot. This was what he’d been practicing for all these years. “Hi, Mom! Look who’s on TV. It’s the Bad Boy!”
There was only one glitch all afternoon, and that was the press conference given by the FBI. An agent named Roger Graham had spoken, and Agent Graham obviously thought he was hot shit. He wanted some fame for himself. “You think this is your movie, Graham? Wrong, baby!” Gary Soneji shouted at the TV. “I’m the only star here!”
Soneji had been prowling around inside the farmhouse for several hours, watching the night slowly fall outside. He felt the different textures of darkness as they blanketed the farm. It was now seven o’clock and time to get on with his plan.
“Let’s do it.” He pranced around the farmhouse like a prizefighter before a bout. “Let’s get it on.”
For a while, he thought about Charles and Anne Morrow Lindbergh, his all-time favorite couple. That calmed him some. He thought about Baby Charles; and about that poor fool, Bruno Hauptmann, who had obviously been framed for the brilliantly conceived and executed crime. He was convinced that the Lindbergh affair was the century’s most elegant crime, not just because it remained unsolved—many, many crimes went unsolved—but because it was important and unsolved.
Soneji was confident, realistic, and, most of all, pragmatic about his own masterpiece. A “fluke” was always possible. A “lucky accident” by the police could occur. The actual exchange of money would be tricky. It meant contact, and contact was always highly dangerous in life.
To his knowledge, and his knowledge was encyclopedic, no modern kidnapper had satisfactorily solved the ransom-exchange problem. Not if they wanted to be paid for their labors, and he needed a huge payday for his multimillion-dollar kids.
Wait until they hear how much money.
The thought brought a smile to his lips. Of course, the world-beater Dunnes and the all-powerful Goldbergs could, and would, pay. It was no accident he had chosen those two families—with their pampered little snot-nosed brats, and their unlimited supply of wealth and power.
Soneji lit one of the white candles he kept in a side pocket of his jacket. He sniffed a pleasant whiff of beeswax. Then he made his way to the small bathroom off the kitchen.
He was remembering an old Chambers Brothers song, “Time.” It was time… time… time to pull the rug out from under everybody’s feet. Time… time… time for his first little surprise, the first of many. Time… time… time to start to build his own legend. This was his movie.
The room, the whole house, was freezing cold in late December. Gary Soneji could see his breath wisping out as he set up shop in the bathroom.
Fortunately, the abandoned house had well water, which was still running in the bathroom. Very cold water indeed. Gary Soneji lit some candles, and began to work. It would take him a full half-hour before he was through.
First, he removed the dark brown, balding half-wig. He’d purchased it three years before, at a theatrical costume store in New York City. That same night, he’d gone to see Phantom of the Opera. He’d loved the Broadway musical. He identified with the Phantom so much that it frightened him. It sent him off to read the original novel, first in French, then in English.
“Well, well, what do we have here?” he spoke to the face in the mirror.
With the glue and other schmutz off, a full head of blond hair was revealed. Long and wavy blond curls.
James Patterson's Books
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