Wink Poppy Midnight(2)



There was an evil in me too, a cruel streak. I don’t know where it came from and I didn’t really want it, no more than I’d want big feet or mousy brown hair or a piggish nose.

But f*ck it. If I’d been born with a piggish nose, then I would own it, like I own the cruel and the mean.

Leaf was the first to recognize me for what I was. I was gorgeous, even as a kid. I looked like an angel, cherub lips and blushing cheeks and elegant bones and blond halo hair. Everyone loved me and I loved myself and I got my way and did what I wanted and I still left people feeling like they were lucky to know me.

No one thinks they’re shallow, ask every last person you know, they’ll deny it, but I’m living proof, I get away with murder because I’m pretty.

But Leaf saw right through the pretty, saw straight through it.

I was fourteen when Leaf Bell lobotomized DeeDee on the school steps, and I was fifteen when I followed Leaf home and tried to kiss him in the hayloft. He laughed in my face and told me I was ugly on the inside and left me sitting alone in the hay.





EVERY STORY NEEDS a Villain.

The Villain is just as important as the Hero. More important, maybe. I’ve read a lot of books—some out loud to the Orphans, and some just to myself. And all the books had a Villain. The White Witch. The Wicked Witch. The Gentleman with the Thistledown Hair. Bill Sykes. Sauron. Mr. Hyde. Mrs. Danvers. Iago. Grendel.

I didn’t need Mim’s tea-reading to learn the Villain of my story. The Villain had blond hair and the Hero’s heart on her sleeve. She had teeth and claws and a silver tongue, like the smooth-talking devil in Ash and Grim.





I HAD AN older brother. A half brother. His name was Alabama (to be explained later) and he lived with our mom in Lourmarin, France. My parents weren’t divorced. They just didn’t live together. My mom wrote historical mysteries, and two years ago, in the middle of a blizzard, she decided she would keep writing historical mysteries, but in France instead of here. My dad sighed, and shrugged, and off she went. And Alabama went with her. He’d always been her favorite anyway, probably because his father was my mother’s true love. Alabama’s dad was Muscogee and Choctaw. He ran back to Alabama—the state, not the brother—before my brother was even born. Then my dad came along, with his big heart and weakness for creatures in need. He married my pregnant mother, and the rest was history.

Until she gypsied herself and my brother off to a land of grapes and cheese last winter, that is.

So my dad sold the dull, spacious, three-bedroom, three-bathroom house I grew up in, and moved us into a five-bedroom, one-bath, crumbling, creaking old house in the country.

Five acres, apple orchard, sparkling, bubbling creek. Just in time for summer.

And I didn’t mind. Not a bit.

The house was two miles from town, two miles from Broken Bridge, with its Victorian houses and cobblestone streets and expensive gourmet restaurants and hordes of skiing, snow-bunny tourists in the winter.

And it was two blessed, beautiful miles away from Poppy.

No more soft taps on my window in the middle of the night from the girl three doors down. No more Poppy laughing as she crawled over my windowsill and into my bed. No more me not knowing whose cologne I smelled all over the front of her shirt.

I was done being a sucker. And this old house, nestled between apple trees and pine trees, in a shadowy, forgotten corner of the mountains . . . it was the first step to my freedom.

My freedom from Poppy.





I WOULD HAVE given it to Leaf the second he asked for it, except he never ever, ever did, so I gave it to Midnight instead.

Midnight and his big droopy eyes, his heart hanging out of his chest, the sighs, the softness, the kisses. I hated him for it, really, really hated him for it, hated hated.

Hated, hated, hated, hated.

My parents still thought I was a virgin. They never discussed sex in front of me, they refused to acknowledge that I’d grown up because they wanted me to be their stupid little angel baby forever, and it made me rage rage rage inside, all the time, all the time. I wore the shortest skirts I could find, and the lowest-cut tops, oh, how they squirmed, their eyes scrambling to focus on some part of me that wasn’t sexual, so they could keep on thinking of me as they always had.

My parents still gave me dolls as presents, ones that looked like me, blond, with big eyes and puffy red lips. And whenever I saw another box sitting on the kitchen table, wrapped in pink paper with my name on it, I knew I would find myself over at Midnight’s window later that night, tap-tap-tapping, wanting to be let in so I could prove to myself how un-angelic I was.

Most men lead lives of quiet desperation. Leaf said that a lot. It was some quote from a tree-hugging hippie who lived a boring life in the woods a million years ago, and Leaf probably thought it would open my eyes and make me wise up and get in touch with my inner deeps, but all it did was make me want to tear off all my clothes and run through the town screaming.

If I was going to lead a life of desperation, then it would be loud, not quiet.





I WATCHED THE Hero as he moved boxes into the old Lucy Rish house. I stood by an apple tree, and I was there a long time before he saw me. I was good at not being seen when I didn’t want to be. I’d learned how to be quiet and invisible from reading Sneaks and Shadows.

I hadn’t shown Sneaks and Shadows to my brothers and sisters. I didn’t want them learning how to hide in broad daylight. Not yet.

April Genevieve Tuch's Books