Warbreaker (Warbreaker #1)(94)
Vivenna stared out over the lights of the city and all of the people they represented, with all their different beliefs, different ways of thinking, different contradictions. Perhaps she wasn’t the only one who struggled to believe two seemingly opposing things at the same time.
“What about you, Denth?” she asked. “Are you Hallandren?”
“Gods, no,” he said.
“Then what do you believe?”
“Haven’t believed much,” he said. “Not in a long time.”
“What about your family?” Vivenna asked. “What did they believe?”
“Family’s all dead. They believed faiths that most everybody has forgotten by now. I never joined them.”
Vivenna frowned. “You have to believe in something. If not a religion, then somebody. A way of living.”
“I did once.”
“Do you always have to answer so vaguely?”
He glanced at her. “Yes,” he said. “Except, perhaps, for that question.”
She rolled her eyes.
He leaned against the banister. “The things I believed,” he said, “I don’t know that they’d make sense, or that you’d even hear me out if I told you about them.”
“You claim to seek money,” she said. “But you don’t. I’ve seen Lemex’s ledgers. He wasn’t paying you that much. Not as much as I’d assumed by far. And, if you’d wanted, you could have hit that priest’s carriage and taken the money. You could have stolen it twice as easily as you did the salt.”
He didn’t respond.
“You don’t serve any kingdom or king that I can figure out,” she continued. “You’re a better swordsman than any simple bodyguard—I suspect better than almost anyone, if you can impress a crime boss with your skill so easily. You could have fame, students, and prizes if you decided to become a sport duelist. You claim to obey your employer, but you give the orders more often than take them—and besides, since you don’t care about money, that whole employee thing is probably just a front.”
She paused. “In fact,” she said, “the only thing I’ve ever seen you express even a spark of emotion about is that man, Vasher. The one with the sword.”
Even as she said the name, Denth grew more tense.
“Who are you?” she asked.
He turned toward her, eyes hard, showing her—once again—that the jovial man he showed the world was a mask. A charade. A softness to cover the stone within.
“I’m a mercenary,” he said.
“All right,” she said, “then who were you?”
“You don’t want to know the answer to that,” he said. And then he left, stomping away through the door and leaving her alone on the dark wooden balcony.
26
Lightsong awoke and immediately climbed from bed. He stood up, stretched, and smiled. “Beautiful day,” he said.
His servants stood at the edges of the room, watching uncertainly.
“What?” Lightsong asked, holding out his arms. “Come on, let’s get dressed.”
They rushed forward. Llarimar entered shortly after. Lightsong often wondered how early he got up, since each morning when Lightsong rose, Llarimar was always there.
Llarimar watched him with a raised eyebrow. “You’re chipper this morning, Your Grace.”
Lightsong shrugged. “It just felt like it was time to get up.”
“A full hour earlier than usual.”
Lightsong cocked his head as the servants tied off his robes. “Really?”
“Yes, Your Grace.”
“Fancy that,” Lightsong said, nodding to his servants as they stepped back, leaving him dressed.
“Shall we go over your dreams, then?” Llarimar asked.
Lightsong paused, an image flashing in his head. Rain. Tempest. Storms. And a brilliant red panther.
“Nope,” Lightsong said, walking toward the doorway.
“Your Grace . . .”
“We’ll talk about the dreams another time, Scoot,” Lightsong said. “We have more important work.”
“More important work?”
Lightsong smiled, reaching the doorway and turning back. “I want to go back to Mercystar’s palace.”
“What ever for?”
“I don’t know,” Lightsong said happily.
Llarimar sighed. “Very well, Your Grace. But can we at least look over some art, first? There are people who paid good money to get your opinion, and some are waiting quite eagerly to hear what you think of their pieces.”
“All right,” Lightsong said. “But let’s be quick about it.”
* * *
LIGHTSONG STARED AT THE PAINTING.
Red upon red, shades so subtle that the painter must have been of the First Heightening at least. Violent, terrible reds, clashing against one another like waves—waves that only vaguely resembled men, yet that somehow managed to convey the idea of armies fighting much better than any detailed realistic depiction could have.
Chaos. Bloody wounds upon bloody uniforms upon bloody skin. There was so much violence in red. His own color. He almost felt as if he were in the painting—felt its turmoil shaking him, disorienting him, pulling on him.
The waves of men pointed toward one figure at the center. A woman, vaguely depicted by a couple of curved brushstrokes. And yet it was obvious. She stood high, as if atop a cresting wave of crashing soldiers, caught in mid-motion, head flung back, her arm upraised.