The Emperor's Soul(9)

“Carving helps me think.”

“You should be focused on your task!” Gaotona said. “This is frivolity. The empire itself is in danger!”

No, Shai thought. Not the empire itself; just your rule of it. Unfortunately, after eleven days, she still didn’t have an angle on Gaotona, not one she could exploit.

“I am working on your problem, Gaotona,” she said. “What you ask of me is hardly a simple task.”

“And changing that table was?”

“Of course it was,” Shai said. “All I had to do was rewrite its past so that it was maintained, rather than being allowed to sink into disrepair. That took hardly any work at all.”

Gaotona hesitated, then knelt beside the table. “These carvings, this inlay . . . those were not part of the original.”

“I might have added a little.”

She wasn’t certain if the Forgery would take or not. In a few minutes, that seal might evaporate and the table might revert to its previous state. Still, she was fairly certain she’d guessed the table’s past well enough. Some of the histories she was reading mentioned what gifts had come from where. This table, she suspected, had come from far-off Svorden as a gift to Emperor Ashravan’s predecessor. The strained relationship with Svorden had then led the emperor to lock it away and ignore it.



“I don’t recognize this piece,” Gaotona said, still looking at the table.

“Why should you?”

“I have studied ancient arts extensively,” he said. “This is from the Vivare dynasty?”

“No.”

“An imitation of the work of Chamrav?”

“No.”

“What then?”

“Nothing,” Shai said with exasperation. “It’s not imitating anything; it has become a better version of itself.” That was a maxim of good Forgery: improve slightly on an original, and people would often accept the fake because it was superior.

Gaotona stood up, looking troubled. He’s thinking again that my talent is wasted, Shai thought with annoyance, moving aside a stack of accounts of the emperor’s life. Collected at her request, these came from palace servants. She didn’t want only the official histories. She needed authenticity, not sterilized recitations.

Gaotona stepped back to his chair. “I do not see how transforming this table could have taken hardly any work, although it clearly must be much simpler than what you have been asked to do. Both seem incredible to me.”

“Changing a human soul is far more difficult.”

“I can accept that conceptually, but I do not know the specifics. Why is it so?”

She glanced at him. He wants to know more of what I’m doing, she thought, so that he can tell how I’m preparing to escape. He knew she would be trying, of course. They both would pretend that neither knew that fact.

“All right,” she said, standing and walking to the wall of her room. “Let’s talk about Forgery. Your cage for me had a wall of forty-four types of stone, mostly as a trap to keep me distracted. I had to figure out the makeup and origin of each block if I wanted to try to escape. Why?”

“So you could create a Forgery of the wall, obviously.”

“But why all of them?” she asked. “Why not just change one block or a few? Why not just make a hole big enough to slip into, creating a tunnel for myself?”

“I . . .” He frowned. “I have no idea.”

Shai rested her hand against the outer wall of her room. It had been painted, though the paint was coming off in several sections. She could feel the separate stones. “All things exist in three Realms, Gaotona. Physical, Cognitive, Spiritual. The Physical is what we feel, what is before us. The Cognitive is how an object is viewed and how it views itself. The Spiritual Realm contains an object’s soul—its essence—as well as the ways it is connected to the things and people around it.”

“You must understand,” Gaotona said, “I don’t subscribe to your pagan superstitions.”

“Yes, you worship the sun instead,” Shai said, failing to keep the amusement out of her voice. “Or, rather, eighty suns—believing that even though each looks the same, a different sun actually rises each day. Well, you wanted to know how Forgery works, and why the emperor’s soul will be so difficult to reproduce. The Realms are important to this.”

“Very well.”

“Here is the point. The longer an object exists as a whole, and the longer it is seen in that state, the stronger its sense of complete identity becomes. That table is made up of various pieces of wood fitted together, but do we think of it that way? No. We see the whole.

“To Forge the table, I must understand it as a whole. The same goes for a wall. That wall has existed long enough to view itself as a single entity. I could, perhaps, have attacked each block separately—they might still be distinct enough—but doing so would be difficult, as the wall wants to act as a whole.”

“The wall,” Gaotona said flatly, “wants to be treated as a whole.”

“Yes.”

“You imply that the wall has a soul.”

“All things do,” she said. “Each object sees itself as something. Connection and intent are vital. This is why, master Arbiter, I can’t simply write down a personality for your emperor, stamp him, and be done. Seven reports I’ve read say his favorite color was green. Do you know why?”