The Cabinet of Curiosities (Pendergast #3)(68)
Pendergast stepped back onto the cobbles, glancing up and down the lane, thinking. Of all the streets he had traveled, Little Water Street was the only one no longer extant in the twentieth century. It had been paved over, built upon, forgotten. He had seen old maps that showed it, naturally; but no map ever drawn had superimposed its course onto present-day Manhattan…
An incredibly shabby man with a horse and cart came down the street, ringing a bell, collecting garbage for tips, a brace of tame hogs following behind. Pendergast did not heed him. Instead, he glided back down the narrow road, pausing at the entrance to Cow Bay. Although with the disappearance of Little Water Street it was difficult to tell on modern maps, Pendergast now saw that the two missions would both have backed onto these terrible old tenements. Those dwellings were gone, but the warren of tunnels that once served their criminal residents would have remained.
He glanced down both sides of the alley. Slaughterhouse, ice factory, abandoned waterworks… It suddenly made perfect sense.
More slowly now, Pendergast walked away, headed for Baxter Street and points north. He could, of course, have ended his journey at this point—have opened his eyes to the present-day books and tubes and monitor screens—but he preferred to continue the discipline of this mental exercise, to take the long way back to Lenox Hill Hospital. He was curious to see if the fire at Shottum’s Cabinet had been brought under control. Perhaps he would hire a carriage uptown. Or better yet, walk up past the Madison Square Garden circus, past Delmonico’s, past the palaces of Fifth Avenue. There was much to think about, much more than he had previously imagined—and 1881 was as good a place as any to do it in.
FOURTEEN
NORA STOPPED AT THE NURSES’ STATION TO ASK DIRECTIONS TO Pendergast’s new room. A sea of hostile faces greeted the question. Clearly, Nora thought, Pendergast was as popular at Lenox as he had been at St. Luke’s–Roosevelt.
She found him lying up in bed, the blinds shut tight against the sun. He looked very tired, his face gray. His blond-white hair hung limply over his high forehead, and his eyes were closed. As she entered, they slowly opened.
“I’m sorry,” Nora said. “This is a bad time.”
“Not at all. I did ask you to see me. Please clear off that chair and sit down.”
Nora moved the stack of books and papers from the chair to the floor, wondering again what this was about. She’d already given him her report about her visit with the old lady and told him it would be her last assignment for him. He had to understand that it was time for her to get back to her own career. As intriguing as it was, she was not about to commit professional hara kiri over this business.
Pendergast’s eyes had drooped until they were almost closed, but she could still see the pale irises behind the slitted lids.
“How are you?” Courtesy required she ask that question, but there wouldn’t be any others. She’d listen to what he had to say, then leave.
“Leng acquired his victims from the cabinet itself,” Pendergast said.
“How do you know?”
“He captured them at the back of one of the halls, most likely a small cul-de-sac housing a particularly gruesome exhibit. He would lie in wait until a visitor was alone, then he’d snatch his victim, take the unfortunate through a door at the rear of the exhibit, which led down the back stairs to the coal cellar. It was a perfect setup. Street people vanished all the time in that neighborhood. Undoubtably, Leng selected victims that would not be missed: street urchins, workhouse boys and girls.”
He spoke in a monotone, as if reviewing his findings within his own mind instead of explaining them to her.
“From 1872 to 1881 he used the cabinet for this purpose. Nine years. Thirty-six victims that we know of, perhaps many more Leng disposed of in some other way. As you know, there had in fact been rumors of people vanishing in the cabinet. These no doubt served to increase its popularity.”
Nora shuddered.
“Then in 1881 he killed Shottum and burned the cabinet. We of course know why: Shottum found out what he was up to. He said as much in his letter to McFadden. But that letter has, in its own way, been misleading me all this time. Leng would have killed Shottum anyway.” Pendergast paused to take a few breaths. “The confrontation with Shottum merely gave him the excuse he needed to burn the cabinet. You see, phase one of his work was complete.”
“Phase one?”
“He had achieved what he set out to do. He perfected his formula.”
“You don’t seriously mean Leng was able to prolong his own life?”
“He clearly believed he could. In his mind, the experimentation phase could cease. Production could begin. Victims would still be required, but many fewer than before. The cabinet, with its high volume of foot traffic, was no longer necessary. In fact, it had become a liability. It was imperative for Leng to cover his tracks and start afresh.”
There was a silence. Then Pendergast resumed.
“A year before the cabinet burned, Leng offered his services to two workhouses in the vicinity—the Five Points House of Industry and the Five Points Mission. The two were connected by the warren of old underground tunnels that riddled the entire Five Points area in the nineteenth century. In Leng’s day, a foul alley known as Cow Bay lay between the workhouses. Along with the sordid tenements you’d expect, Cow Bay was home to an ancient subterranean pumping station dating back to the days of the Collect Pond. The waterworks were shut down and sealed for good about a month before Leng allied himself with the workhouses. That is no mere coincidence of dates.”