The Cabinet of Curiosities (Pendergast #3)(50)
Her father called almost every day from the farm. It was funny, kind of cute really, how worried he was about her living in New York City. He thought the place was a den of iniquity. He’d freak if he knew she stayed out till dawn. He still wanted her to go to college. And maybe she would—someday. But right now she was eighteen and having the time of her life. She smiled affectionately at the thought of her conservative old father, riding his John Deere, worrying himself about her. She’d make the call this time, give him a surprise.
She turned onto Seventh Street, passing the darkened park, keeping a wary eye out for muggers. New York was a lot safer now, but it was still wise to be careful. She felt into her purse, hand closing comfortingly around the small bottle of pepper spray attached to her key chain.
There were a couple of homeless sleeping on pieces of cardboard, and a man in a threadbare corduroy suit sat on a bench, drinking and nodding. An early breeze passed through the listless sycamore branches, rattling the leaves. They were just beginning to turn a jaundiced yellow.
Once again, she wished her walk-up apartment wasn’t so far from a subway station. She couldn’t afford cabs—not yet, anyway—and walking the nine blocks home at night was a hassle. At first it had seemed like a cool neighborhood, but the seediness was starting to get to her. Gentrification was creeping in, but not fast enough: the dingy squats and the old hollow buildings, sealed shut with cinderblock, were depressing. The Flatiron District would be better, or maybe even Yorkville. A lot of the Ford models, the ones who’d made it, lived up there.
She left the park behind and turned up Avenue C. Silent brownstones rose on either side, and the wind sent trash along the gutters with a dry, skittery sound. The faint ammoniac tang of urine floated out from dark doorways. Nobody picked up after their dogs, and she made her way with care through a disgusting minefield of dog shit. This part of the walk was always the worst.
She saw, ahead of her, a figure approaching down the sidewalk. She stiffened, considered crossing the street, then relaxed: it was an old man, walking painfully with a cane. As he approached she could see he was wearing a funny derby hat. His head was bowed, and she could make out its even brim, the crisp black lines of its crown. She didn’t recall ever seeing anybody wearing a derby, except in old black-and-white movies. He looked very old-fashioned, shuffling along with cautious steps. She wondered what he was doing out so early. Probably insomnia. Old people had it a lot, she’d heard. Waking up at four in the morning, couldn’t go back to sleep. She wondered if her father had insomnia.
They were almost even now. The old man suddenly seemed to grow aware of her presence; he raised his head and lifted his arm to grasp his hat. He was actually going to tip his hat to her.
The hat came up, the arm obscuring everything except the eyes. They were remarkably bright and cold, and they seemed to be regarding her intently. Must be insomnia, she thought—despite the hour, this old fellow wasn’t sleepy at all.
“Good morning, miss,” said an old, creaky voice.
“Good morning,” she replied, trying to keep the surprise from her voice. Nobody ever said anything to you on the street. It was so un–New York. It charmed her.
As she passed him, she suddenly felt something whip around her neck with horrible speed.
She struggled and tried to cry out, but found her face covered with a cloth, damp and reeking with a sickly-sweet chemical smell. Instinctively, she tried to hold her breath. Her hand scrabbled in her purse and pulled out the bottle of pepper spray, but a terrible blow knocked it to the sidewalk. She twisted and thrashed, moaning in pain and fear, her lungs on fire; she gasped once; and then all swirled into oblivion.
FIVE
IN HIS MESSY CUBICLE ON THE FIFTH FLOOR OF THE TIMES BUILDING, Smithback examined with dissatisfaction the list he had handwritten in his notebook. At the top of the list, the phrase “Fairhaven’s employees” had been crossed out. He hadn’t been able to get back into the Moegen-Fairhaven Building—Fairhaven had seen to that. Likewise, “neighbors” had also been crossed out: he’d been given the bum’s rush at Fairhaven’s apartment building, despite all his best stratagems and tricks. He’d looked into Fairhaven’s past, to his early business associates, but they were either full of phony praise or simply refused comment.
Next, he’d checked out Fairhaven’s charities. The New York Museum was a dead loss—no one who knew Fairhaven would talk about him, for obvious reasons—but he had more success with one of Fairhaven’s other projects, the Little Arthur Clinic for Children. If success was the right word for it. The clinic was a small research hospital that cared for sick children with “orphaned” diseases: very rare illnesses that the big drug companies had no interest in finding cures for. Smithback had managed to get in posing as himself—a New York Times reporter interested in their work—without rousing suspicion. They had even given him an informal tour. But in the end that, too, had been a snow job: The doctors, nurses, parents, even the children sang hosannas for Fairhaven. It was enough to make you sick: turkeys at Thanksgiving, bonuses at Christmas, toys and books for the kids, trips to Yankee Stadium. Fairhaven had even attended a few funerals, which must have been tough. And yet, thought Smithback grumpily, all it proved was that Fairhaven carefully cultivated his public image.
The guy was a public relations pro from way back. Smithback had found nothing. Nothing.