Passenger (Passenger, #1)(48)
Etta turned as two soldiers strode around her, heads bent closely together. Seeing her, they both nodded politely and went on their way with nothing more than, “Evenin’, ma’am.” The faces beneath the black hats were surprisingly young—why was she always assuming everyone in the past was so much older than she was? In the whole course of history, war had always fallen on the shoulders of the young.
After some negotiation, the ferryman agreed to make one last trip over the river before night fell and he was due home. Sophia charged forward like a gunshot, practically pushing her way onto the low, flat boat. A hand appeared in the corner of Etta’s eye—Nicholas, offering to help her step down. After his earlier aloofness, Etta didn’t feel much like validating his chivalry, and instead fixed her gaze on the forest of masts and sails drifting along the river.
The nonexistent skyline of this Manhattan made it impossible to figure out exactly where they were; somehow, not even being able to orient herself in the city she’d grown up in made something twist sharply deep inside her. The distance from the very tip of the island, what she knew as Battery Park, the view of it…She closed her eyes, picturing Brooklyn Bridge stretching over her head, the fanned-out cables, the sturdy stone arches. But when she opened her eyes again, there were no glossy-windowed skyscrapers scratching at the violet evening sky. The smoke wasn’t drifting around the faces of luxury high-rise apartments. None of the buildings seemed taller than a few stories.
Two ferrymen moved them along the river using what looked like long oars, splashing and thudding—nothing like the mechanical roar of the modern ferries’ motor engines. It was so quiet without the highways, the traffic. Etta looked up, waiting to see a plane cross the sky overhead.
This isn’t New York, she thought, this isn’t my home, this can’t be it—
Do not cry, she ordered herself. Don’t you dare.…It wouldn’t do anything except draw more unwanted attention to the fact that she was out of place.
Nicholas stood nearby, leaning against the ferry in his usual pose—arms crossed over his chest, face devoid of almost any emotion. She didn’t understand how one person could guard their thoughts and feelings as fiercely as he did.
“Are you talking to me again?” she asked.
“I was born here, in 1757.” His eyes shut briefly, but Etta saw something move in them. “Initially, it wasn’t…pleasant.”
Etta waited for him to continue.
Nicholas swallowed hard. “Captain Hall, whom you met briefly…he and his wife had a little house near the commons. After he purchased my freedom, I went to live with them, and my life was vastly improved.”
Purchased my freedom. The pain lanced through her, hot and jagged, chased by confusion.
“You mean…” Etta began. “You were born into the Ironwoods, but they—”
Anger choked the rest of the words from her throat. Nicholas shrugged.
He shrugged.
“I wasn’t legitimate, nor was I wanted. A child takes on the status of its mother in this time period. My mother was their property; therefore, so was I.” Nicholas glanced at her. “They didn’t know that I’d inherited their…gift…until later, after I’d already lived for a time with Hall and his wife.”
“You grew up with Chase too, right?” she asked. Seeing a flicker of surprise, she added, “He told me a little about it a few days ago, while we were walking on the deck—that Mrs. Hall told the captain he wasn’t allowed to take either of you out to sea until she taught you to read and write.”
At that, he actually smiled. “She was a lady of uncommon kindness and bold spirit. Once we lost her, there was no reason to come back here, aside from occasional business.”
“How did Hall find you?” Etta asked. “Why did the Ironwoods…” She couldn’t bring herself to say sell you without wanting to vomit.
Nicholas lowered his voice. “You know, I presume, that the ability has become rarer as the family has moved forward, yes?”
Etta nodded.
“Hall is a more distant relation to the Ironwoods—in fact, he was taken in to the Ironwoods when Ironwood finished off his family, the Hemlocks, and brought the survivors into line,” Nicholas explained. “But he isn’t as you and I are; he’s what we call a ‘guardian.’ They cannot travel, and are stationary in their natural times. But they watch the entrances to the passages to ensure the safety of the travelers, and take note of all comings and goings. They also do other work for the family—see to their financial interests and property in various eras, relay messages between the centuries.”
Etta’s eyes widened. “How in the world do they do that?”
“If they precede us, they leave letters in various family vaults which are checked by other guardians. If they follow this era, the letters are brought back by a designated traveler. Hall himself was required to oversee the transportation and sale of sugar from one of their plantations in the Caribbean from 1750 until just recently.”
She was missing a piece of this. “Had you met Hall before you went to live with him?”
He shook his head. “Ironwood decided to have the old family house on Queen Street sold, along with its possessions. My mother was purchased outright with another house slave, and claimed I ran away. She left me hiding in a cupboard, and hoped I’d be able to escape and live a life of freedom. I would never have agreed if I’d known what was truly happening.”
Alexandra Bracken's Books
- The Dreadful Tale of Prosper Redding (The Dreadful Tale of Prosper Redding #1)
- Alexandra Bracken
- In The Afterlight (The Darkest Minds #3)
- Sparks Rise (The Darkest Minds #2.5)
- Never Fade (The Darkest Minds #2)
- In Time (The Darkest Minds #1.5)
- The Darkest Minds (The Darkest Minds #1)
- Brightly Woven
- In Time (The Darkest Minds, #1.5)
- In The Afterlight (The Darkest Minds, #3)