Miss Peregrine’s Home for Peculiar Children(27)



There was, for instance, a photo of two young women posed before a not-terribly-convincing painted backdrop of the ocean. Not so strange in and of itself; the unsettling thing was how they were posed. Both had their backs to the camera. Why would you go to all the trouble and expense of having your picture taken—portraits were pricey back then—and then turn your back on the camera? I half-expected to find another photo in the debris of the same girls facing forward, revealing grinning skulls for faces.

Other pictures seemed manipulated in much the same way as some of my grandfather’s had been. One was of a lone girl in a cemetery staring into a reflecting pool—but two girls were reflected back. It reminded me of Grandpa Portman’s photo of the girl “trapped” in a bottle, only whatever darkroom technique had been used wasn’t nearly as fake-looking. Another was of a disconcertingly calm young man whose upper body appeared to be swarming with bees. That would be easy enough to fake, right? Like my grandfather’s picture of the boy lifting what was certainly a boulder made from plaster. Fake rock—fake bees.

The hairs on the back of my neck stood up as I remembered something Grandpa Portman had said about a boy he’d known here in the children’s home—a boy with bees living inside him. Some would fly out every time he opened his mouth, he had said, but they never stung unless Hugh wanted them to.

I could think of only one explanation. My grandfather’s pictures had come from the trunk that lay smashed before me. I wasn’t certain, though, until I found a picture of the freaks: two masked ruffle-collared kids who seemed to be feeding each other a coil of ribbon. I didn’t know what they were supposed to be, exactly—besides fuel for nightmares; what were they, sadomasochistic ballerinas?—but there was no doubt in my mind that Grandpa Portman had a picture of these same two boys. I’d seen it in his cigar box just a few months ago.





It couldn’t have been a coincidence, which meant that the photos my grandfather had shown me—that he’d sworn were of children he’d known in this house—had really come from this house. But could that mean, despite the doubts I’d harbored even as an eight-year-old, that the pictures were genuine? What about the fantastic stories that went along with them? That any of them could be true—literally true—seemed unthinkable. And yet, standing there in dusty half-light in that dead house that seemed so alive with ghosts, I thought, maybe …

Suddenly there came a loud crash from somewhere in the house above me, and I startled so badly that all the pictures slipped from my hands.

It’s just the house settling, I told myself—or caving in! But as I bent down to gather the photos, the crash came again, and in an instant what meager light had shone through the hole in the floor faded away, and I found myself squatting in inky darkness.

I heard footsteps, and then voices. I strained to make out what they were saying, but I couldn’t. I didn’t dare move, afraid that the slightest motion would set off a noisy avalanche of debris all around me. I knew that my fear was irrational—it was probably just those dumb rapper kids pulling another prank—but my heart was beating a hundred miles an hour, and some deep animal instinct commanded me to be silent.

My legs began to go numb. As quietly as I could, I shifted my weight from one leg to the other to get the blood flowing again. A tiny piece of something came loose from the pile and rolled away, making a sound that seemed huge in the silence. The voices went quiet. Then a floorboard creaked right over my head and a little shower of plaster dust sprinkled down. Whoever was up there, they knew exactly where I was.

I held my breath.

Then, I heard a girl’s voice say softly, “Abe? Is that you?”

I thought I’d dreamed it. I waited for the girl to speak again, but for a long moment there was only the sound of rain banking off the roof, like a thousand fingers tapping way off somewhere. Then a lantern glowed to life above me, and I craned my neck to see a half dozen kids kneeling around the craggy jaws of broken floor, peering down.

I recognized them somehow, though I didn’t know where from. They seemed like faces from a half-remembered dream. Where had I seen them before—and how did they know my grandfather’s name?

Then it clicked. Their clothes, strange even for Wales. Their pale unsmiling faces. The pictures strewn before me, staring up at me just as the children stared down. Suddenly I understood.

I’d seen them in the photographs.

The girl who’d spoken stood up to get a better look at me. In her hands she held a flickering light, which wasn’t a lantern or a candle but seemed to be a ball of raw flame, attended by nothing more than her bare skin. I’d seen her picture not five minutes earlier, and in it she looked much the same as she did now, even cradling the same strange light between her hands.

I’m Jacob, I wanted to say. I’ve been looking for you. But my jaw had come unhinged, and all I could do was stare.



The girl’s expression soured. I was wretched looking, damp from rain and dust-covered and squatting in a mound of debris. Whatever she and the other children had been expecting to find inside this hole in the floor, I was not it.

A murmur passed among them, and they stood up and quickly scattered. Their sudden movement knocked something loose in me and I found my voice again and shouted for them to wait, but they were already pounding the floorboards toward the door. I tripped through the wreckage and stumbled blindly across the stinking basement to the stairs. But by the time I made it back to the ground floor, where the daylight they’d stolen had somehow returned, they had vanished from the house.

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