Brimstone (Pendergast #5)(94)
D’Agosta watched the cab take the next corner at speed and vanish from sight. Then he scanned Riverside Drive carefully, up and down, checking the windows, the stoops, the dark areas between the lampposts. Everything seemed quiet. Hefting the suitcase, he began trotting north.
It had taken about half an hour to prepare for the trip. He hadn’t bothered to call his wife—as it was, the next time he heard from her would probably be through a lawyer. Chief MacCready of the Southampton P.D. was delighted to hear he’d be taking an unscheduled trip as part of his modified duty with the FBI. The chief was in increasingly hot water over the slow progress of the case, and this gave him a bone to throw the local press: SPD officer sent to Italy to follow hot lead. Given a dawn departure, Pendergast had suggested they both spend the night in New York at his place on Riverside Drive. And now here he was, luggage in hand, just hours away from standing on his family’s ancestral soil. It was both an exhilarating and a sobering thought.
The one thing he’d miss, he thought as he neared the end of the block, was his blossoming relationship with Laura Hayward. Though the frantic pace of the last few days had mostly kept them apart, D’Agosta realized he’d begun to feel, for the first time in almost twenty years, that constant, low-frequency tingle of courtship. When he’d called her from the hotel to say he was accompanying Pendergast to Italy in the morning, the line had gone silent for several seconds. Then she’d said simply, “Watch your ass, Vinnie.” He hoped to hell this little jaunt wouldn’t throw a monkey wrench into things.
Ahead, the Beaux Arts mansion at 891 Riverside rose up, the sharp ramparts of its widow’s walk pricking the night sky. He crossed the street, then slipped through the iron gate and made his way down the carriageway to the porte-cochère. His knock was answered by Proctor, who wordlessly escorted him through echoing galleries and tapestried chambers to the library. It appeared to be lit only by a large fire that blazed on the hearth. Peering into the grand, book-lined room, he made out Pendergast near the far wall. The agent had his back to the door and was standing before a long table, writing something on a sheet of cream-colored paper. D’Agosta could hear the crackling of the fire, the scratch of the pen. Constance was nowhere to be seen, but he thought he made out—just at the threshold of hearing—the distant, mournful sound of a violin.
D’Agosta cleared his throat, knocked on the door frame.
Pendergast turned quickly at the sound. “Ah, Vincent. Come in.” He slipped the sheet of paper into a small wooden box, inlaid with mother-of-pearl, that lay on the table. Then he closed the box carefully and pushed it to one side. It almost seemed to D’Agosta as if Pendergast was careful to shield its contents from view.
“Would you care for some refreshment?” he asked, stepping across the room. “Cognac, Calvados, Armagnac, Budweiser?” Though the voice was Pendergast’s usual slow, buttery drawl, there was a strange brightness to his eyes D’Agosta had not seen before.
“No, thanks.”
“Then I’ll help myself, with your indulgence. Please have a seat.” And moving to a sideboard, Pendergast poured two fingers of amber liquid into a large snifter.
D’Agosta watched him carefully. There was something unusual about his movements, a strange hesitancy, that—combined with Pendergast’s expression—troubled D’Agosta in a way he could not quite describe.
“What’s happened?” he asked instinctively.
Pendergast did not immediately respond. Instead, he replaced the decanter, picked up the snifter, and took a seat in a leather sofa across from D’Agosta. He sipped meditatively, sipped again.
“Perhaps I can tell you,” he said at last in a low voice, as if arriving at a decision. “In fact, if any other living person is to know, I suppose that person should be you.”
“Know what?” D’Agosta asked.
“It arrived half an hour ago,” Pendergast said. “It couldn’t possibly have come at a worse time. Nevertheless, it can’t be helped; we’ve come too far with this case to change direction now.”
“What arrived?”
“That.” And Pendergast nodded at a folded letter on the table lying between them. “Go ahead, pick it up; I’ve already taken the necessary precautions.”
D’Agosta didn’t know exactly what was meant by that, but he leaned over, picked up the letter, and unfolded it gingerly. The paper was a beautiful linen, apparently hand-pressed. At the top of the sheet was an embossed coat of arms: a lidless eye over two moons, with a crouching lion beneath. At first, D’Agosta thought the sheet was empty. But then he made out, in a beautiful, old-fashioned script, a small date in the middle of the page: January 28. It appeared to have been written with a goose quill.
D’Agosta put it down. “I don’t understand.”
“It’s from my brother, Diogenes.”
“Your brother?” D’Agosta said, surprised. “I thought he was dead.”
“He is dead to me. At least, he has been until recently.”
D’Agosta waited. He knew better than to say more. Pendergast’s sentences had grown hesitant, almost broken, as if he found the subject intolerably repellent.
Pendergast took another sip of Armagnac. “Vincent, a line of madness has run through my family for many generations now. Sometimes this madness has taken a benign or even beneficial form. More frequently, I fear, it has manifested itself through astonishing cruelty and evil. Unfortunately, this darkness has reached full flower with the current generation. You see, my brother, Diogenes, is at once the most insane—most evil—and yet the most brilliant member of our family ever to walk the earth. This was clear to me from a very early age. As such, it is a blessing we two are the last of our line.”